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INTERVIU Profesorul din Oradea care făcea propagandă anti-mască în timpul orei își bazează atitudinea pe ”studii” pe care nu le poate cita. El pretinde că „elevii pot decide singuri, sunt adolescenți” - [Anchete]

2020.09.26 09:27 niuz-bot INTERVIU Profesorul din Oradea care făcea propagandă anti-mască în timpul orei își bazează atitudinea pe ”studii” pe care nu le poate cita. El pretinde că „elevii pot decide singuri, sunt adolescenți” - [Anchete]

Profesorul orădean Nelu Sandu Pop, de la Liceul Sportiv din Oradea, care s-a filmat în sala de clasă purtând o mască de carnaval și numindu-i… Mai departe »
Citeste in continuare: https://www.g4media.ro/interviu-profesorul-din-oradea-care-facea-propaganda-anti-masca-in-timpul-orei-isi-bazeaza-atitudinea-pe-studii-pe-care-nu-le-poate-cita-el-pretinde-ca-elevii-pot-decide-singuri.html
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2020.07.25 03:22 Bosanpacaran Wawancara - [Arczre]

Cerpen

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Tahun 1965 merupakan tahun yang kelam bagi perjalanan republik ini. Sesuatu yang besar terjadi di tahun itu. Sesuatu peristiwa yang akan dikenang dengan dua macam cara. Cara pertama akan dikenang sebagai sebuah peristiwa besar yang akan mengakarkan kebencian membabi buta hingga beranak cucu. Cara kedua akan menjadi trauma terbesar bagi republik ini. Semuanya adalah bencana.
[](https://i.postimg.cc/tT6YStHP/68d3c5472150684.png)*
Kereta api yang mengantarkanku pun tiba. Hari sudah pagi ketika itu. Stasiun Kota Kediri menyambutku dengan embun tipis yang menempel di kaca kios-kios penjual makanan. Kulihat anak-anak kecil pemungut minyak yang tumpah di sepur tanki milik pertamina sudah mulai memasang tas kresek hitam besar. Mereka adalah para penjarah cilik. Rupanya kebiasaanku dulu waktu kecil yang melakukan hal itu masih menurun hingga sekarang.
Saat aku mulai melangkah keluar dari stasiun para tukang becak langsung berebutan untuk menawarkan jasa mereka. Masih pukul 6 pagi. Kereta Matarmaja memang datang lebih awal dari biasanya. Terlebih jemputanku belum datang sekarang. Aku terpaksa menolak bapak-bapak tukang becak tersebut saat aku melihat warung nasi pecel tumpang yang tak jauh dari sana. Sudah lama, kurang lebih 15 tahun lamanya aku tidak pernah merasakan lagi sajian kuliner sambel tumpang. Belum memakannya saja aku sudah bisa memikirkan bagaimana rasanya. Ah, kangen sekali mengingat masa-masa itu.
Sepincuk nasi pecel dan sambel tumpang sudah aku pesan. Aku nikmati sarapan pagi itu setelah semalaman tidak menjamah makanan apapun di dalam kereta. Aku terlibat perbincangan dengan beberapa orang yang ikut menjadi langganan di warung ini. Mereka menceritakan tentang kota Kediri yang sudah aku tinggalkan cukup lama. Mulai dari mal-mal baru yang dibangun. Pembangunan jalan, pertokoan, dan masih banyak yang lainnya. Aku sampai berpikir bahwa kota ini sudah menjadi kota konsumtif.
Adapun tujuanku rela jauh-jauh dari Jakarta ke Kediri adalah karena satu hal. Aku sedang mencari narasumber tentang pembantaian yang terjadi saat peristiwa 1965. Menurut Andika sepupuku yang tinggal di kota ini ada saksi hidup dari peristiwa mengerikan tersebut. Andika bisa mengantarkanku ke tempat orang itu. Aku rela melakukan ini juga tuntutanku sebagai seorang wartawan media elektronik yang terkemuka di negeri ini. Menguak luka lama memang tidak mudah, tapi aku tetap berharap aku bisa mewawancarai tokoh tersebut.
Tak terasa sarapan yang aku pesan tadi sudah habis. Segelas teh hangat pun meluncur memasahi kerongkonganku. Perutku kenyang sekarang. Tinggal menunggu sepupuku itu. Kuberitahu kepada dia kalau aku sedang sarapan di warung dekat stasiun. Dia pun kemudian datang.
“Udah lama mas Kim?” sapa Andika.
“Eh, An? Iya sampe habis dua piring,” jawabku.
“Hahahaha, sepurane mas. Tadi harus bantu-bantu ibu dulu,” ujarnya.
“Yowis, ayuk! Langsung wae,” kataku.
Singkat cerita dengan diantar Andika, aku pun menuju ke rumah tempat saksi sejarah itu. Mobil yang kami tumpangi berjalan dengan santai melintasi kota kecil ini. Setelah melewati jalanan besar, kami berbelok ke sebuah jalan kampung.
“Orangnya tinggal di daerah pedesaan mas. Dulu sampeyan kan pernah main juga ke tempat ini,” terang Andika.
“Iya, tapi sudah lama An. Semenjak ibu meninggal aku sudah tidak di sini lagi. Bagaimana kabar keluargamu?” tanyaku.
“Baik koq. Ibu sehat, adik juga sehat. Sekarang aku bekerja di sebuah perusahaan travel mas,” jawabnya. “Semenjak bapak nggak ada, aku yang satu-satunya jadi tulang punggung keluarga. Mas, sendiri bagaimana kabarnya di Jakarta?”
“Yah, beginilah An. Dinikmati saja. Apalagi menjadi wartawan memang sudah jadi cita-citaku sejak dulu. Untungnya istriku pengertian. Kami satu profesi sama-sama mengejar berita, walaupun beda kantor. Hahahaha,” gelakku.
“Koq bisa? Saingan gitu ceritanya?” tanya Andika keheranan.
“Iya, tapi kami sama-sama pengertian koq. Yang seru itu kalau mengambil berita dari sumber yang sama. Kami sering berebut gitu. Tapi menyenangkan. Kalau sudah pulang ke rumah ya sudah melupakan semuanya. Di lapangan aja kami seperti musuhan. Kalau udah di rumah ya udah selesai. Urusan kerjaan ya urusan kerjaan, urusan rumah ya urusan rumah,” jelasku.
Setelah mengemudi selama satu jam, kami sampai di sebuah jalanan yang tidak beraspal. Sebuah pedesaan yang agak jauh dari jalan raya. Mobil melaju pelan melewati pemakaman yang ditumbuhi pepohonan besar yang menjorok ke tepi jalan. Pemandangan mobil masuk desa merupakan pemandangan yang tidak biasa di sana tentu saja. Berapa banyak orang yang punya mobil di desa seperti ini?
Mobil berbelok ke sebuah rumah yang mempunyai halaman yang cukup luas. Setelah mematikan mesin kami pun keluar. Andika langsung menuju ke pintu dan mengetuknya.
“Assalaamu'alaykum?” sapa Andika.
“Wa'alaykum salam,” sahut orang yang ada di dalam rumah. Seorang perempuan paruh baya dengan baju daster bercorak merah kehitaman keluar dari dalam. Melihat kami berdua sepertinya perempuan itu sudah mengetahui siapa kami. “Oh, ini yang mau mewawancarai mbah Malik?”
“Inggih bu, mbah dateng pundi (iya bu, mbah ada di mana)?” tanya Andika.
Tiba-tiba seseorang datang dari arah lain. “Weilah dalah, ini mas A'an ya?”
Kami berdua membalikkan badan melihat seorang lelaki tua yang membawa kelewang. Tampak kayu bakar ada di punggungnya pun diletakkan di halaman rumahnya.
“Sri, tulung beberen kayu iki yo nduk. Ben ora melempem pas digawe masak (Sri, tolong jemur kayu ini. Biar tidak melempem ketika digunak untuk memasak)!” perintah kakek tua ini.
Singkat cerita kami kemudian duduk di bale-bale sementara Sri perempuan tadi membuatkan kami kopi. Setelah itu dia membeber kayu-kayu yang dibawa oleh kakek ini di halaman rumahnya. Dua pak rokok Dji Sam Soe tergeletak di atas bale-bale. Di dekatnya ada sebuah asbak dan sebuah korek api.
Mbah Malik ini tinggal bersama anak dan cucunya. Sri adalah anaknya paling muda dan sudah punya empat orang anak. Sementara suaminya menjadi buruh tani yang sekarang masih macul belum balik.
“Jadi, saya ke sini ingin bertanya tentang peristiwa Gestapu yang sebenarnya mbah. Karena menurut kabar, mbah ini satu-satunya orang saksi sejarah yang masih hidup dan mengalami langsung apa yang terjadi waktu itu,” ucapku. Aku kemudian mempersiapkan ponselku untuk merekam pembicaraan kami.
Lelaki tua yang bernama asli Abdul Malik ini menghela nafas. Kerutan-kerutan di dahinya bertambah. Ia seperti konsentrasi memikirkan sesuatu, memilah-milah memori yang tersimpan di dalam otaknya selama ini.
“Jaman itu negara dalam kondisi genting. Setidaknya itu yang dikatakan oleh para petinggi. Jam malam diberlakukan. Anak-anak tidur lebih awal. Perempuan-perempuan dipingit di dalam rumah agar tidak sembarangan keluar. Orang-orang waktu itu ketakutan,” ujarnya. Tangannya mulai bergerak mengambil sebatang rokok. Kemudian dengan lihainya menyalakan korek api dan membakar ujung benda 10 cm tersebut. Asap mulai mengepul lalu ia melanjutkan ceritanya.
“Dulu saya masih tinggal di Burengan. Jaman itu ketika kami menerima kabar dari pemerintah bahwa PKI telah melakukan kudeta segera saja para kyai waktu itu memberikan fatwa jihad fi sabilillah. Saat itu saya menjadi ketua kelompok. Kami semua berkumpul di alun-alun kota untuk melakukan apel siaga terlebih dulu. Di sini semuanya diberi arahan oleh dua kyai. Saya masih ingat bagaimana Kyai Syafi'i Sulaiman berkata seperti ini, 'PKI telah menginjak-injak agama Islam dan hendak menumpas kaum muslimin di Indonesia. Atas dasar ini maka tugas kita hanya satu TUMPAS PKI!'”
Aku menelan ludah mendengar ceritanya. Seakan-akan seluruh bulu kudukku merinding waktu itu. Namun tenyata kengerian cerita ini tidak berhenti di situ saja.
“Sebenarnya sebelum dilakukan apel di alun-alun beberapa saat sebelumnya ada kelompok komando militer yang berada di rumah Haji Sopingi. Di sana mereka menerima perintah yang lebih tinggi agar segera dilakukan apel lebih awal. Saya kurang tahu siapa orang yang memberikan komando itu. Hanya saja yang jelas bagi kami para santri hanya patuh dan tunduk kepada apa yang diucapkan oleh Kyai,” sambung Mbah Malik.
“Perintah penumpasan PKI itu didukung oleh militer. Dalam hal ini ABRI beserta para kyai dan santri telah berupaya untuk benar-benar melakukan hal ini. Ketua Ansor waktu itu saja diberi bedil untuk latihan tembak di Gunung Klotok. Setelah apel besar itu, dimulailah apa yang kalian sebut pembantaian terbesar sepanjang sejarah. Anak-anak kami waktu itu dihantui dengan pemandangan yang mengerikan. Kalau beruntung mereka akan menemukan kepala mengapung di Kali Brantas atau usus yang mengapung di sana,” Mbah Malik menatap ke mataku melihat apa reaksiku atas ceritanya ini.
“Trus bagaimana kronologisnya mbah?” tanyaku.
“Tiap malam, mereka akan memberikan kami daftar-daftar orang yang diduga sebagai anggota PKI. Dari daftar itu para prajurit ABRI kemudian mengangkut mereka semua ke atas truk. Tua muda, laki atau pun perempuan. Kami tak pernah tahu bagaimana wajah mereka, siapa mereka. Hanya orang-orang tentara saja yang tahu siapa saja mereka. Bahkan waktu itu ada seseorang yang tidak suka dengan tetangganya saja langsung dicap PKI, maka pada waktu itu semua orang menjaga sikap mereka masing-masing takut diciduk,” ujar Mbah Malik. Matanya menoleh ke arah kelewang yang teronggok di atas bale-bale.
“Pada malam hari aku diberitahu bahwa sudah saatnya bekerja. Satu-satunya senjata yang aku punya waktu itu adalah ini!” Mbah Malik menunjukkan kelewang yang tadi dia bawa. Kelewang itu panjangnya kurang lebih 70cm.
Kembali lagi-lagi aku menelan ludah. Aku tak bisa membayangkan bahwa kelewang yang ada di atas bale-bale itu adalah yang pernah dipakai oleh beliau.
“Saat itu ada dua macam orang-orang PKI. Yang melawan dan yang tidak. Yang melawan maka mereka pasti punya kekuatan. Kami bahkan sempat terjadi perang dengan mereka. Tepatnya di Desa Batuaji. Saat itu di sana masa PKI lebih besar dari pasukan kami, sehingga dengan bantuan tentara kami pun bisa mengalahkan mereka semuanya. Anggota ABRI yang menangkap mereka pun melempar mereka ke atas truk.
“Truk-truk itu kemudian mengantarkan mereka semua ke tempat eksekusi. Tentara-tentara itu hanya menangkap mereka, namun yang jadi pengeksekusinya adalah kami. Tiap malam beragam jumlahnya. Ada empat sampai dua puluh orang. Mereka sebelumnya ditampung di mana pun kami tak tahu. Kebanyakan korban tidak ada yang melawan. Sebagaimana yang tadi saya ceritakan, kalau mereka disekap mata mereka sehingga tidak melihat kami.
“Kondisi para tawanan diikat tangannya di belakang. Mereka kemudian berlutut. Kebanyakan mereka tak bicara, entah takut atau apa. Yang jelas para santri yang sudah membawa golok, parang, kelewang sudah siap menebas leher-leher mereka. Saya sendiri mengeksekusi mereka sekali tebas. DES!” Mbah Malik memeragakan bagaimana cara dia menebas.
Aku agak tersentak melihat tingkahnya. Terlalu menghayati? Bisa saja. Karena berhadapan dengan orang yang rela membunuh demi sebuah perintah dari kyainya merupakan hal yang baru pertama kali aku alami. Apakah mereka psikopat? Bukan, mereka bukan psikopat. Mereka melakukan itu karena kecintaan mereka terhadap tanah air mereka waktu itu. Walaupun mungkin ada berbagai konspirasi dan tetek bengek lainnya. Aku tetap tak bisa mempercayainya hal ini ada dan terjadi di negara tempatku hidup.
Andika sendiri sampai menarik nafas berat ketika melihat Mbah Malik tadi memperagakan bagaimana cara dia menebas orang. Namun yang lebih menarik apa yang diceritakannya setelah ini.
“Ada satu orang yang waktu itu saya tebas nggak mempan. Mungkin dia punya pengasihan atau ilmu kebal. Lehernya saya tebas tapi kelewang malah mental. Teman saya pun menebas, mental lagi. Sampai akhirnya saya dinasehati oleh salah seorang yang ilmu kesaktiannya lebih tinggi untuk memukulnya dengan rotan yang sudah diberi asma. Akhirnya manjur. Tubuh PKI itu tersungkur, selanjutnya kami beramai-ramai membacoknya.
“Setelah itu kami beramai-ramai melemparkan mayat mereka ke atas Kali Brantas. Selama berhari-hari warna airnya merah karena darah orang-orang yang kami bantai. Itu tidak mengherankan kami ada beberapa tempat pembantaian, kemudian mayatnya dilemparkan ke atas sungai. Anak-anak dan para perempuan ketakutan waktu itu. Mereka sampai trauma,” terang Mbah Malik.
Aku beristirahat sejenak untuk menyeruput kopi yang sudah tersaji. Agaknya mentalku harus benar-benar siap untuk mendengar cerita dari Mbah Malik ini.
“Lalu apa yang terjadi mbah? Katanya ada perang antara PKI dan para santri waktu itu?” tanyaku.
“Iya, memang ada. Kami mendapatkan petunjuk dari para kyai bahwa ada sejumlah besar pasukan PKI akan menyerang Kediri. Akhirnya kami dan para santri lainnya berkumpul. Para pembesar Kyai dari Lirboyo pun kemudian berkumpul ikut serta. Bahkan dengan semangat para kyai maka kami pun yakin perbuatan kami benar yaitu kami sedang berjihad melawan PKI,” jawabnya. “Yang namanya Jihad, maka kalau saya mati maka saya mati Syahid.”
Wawancara itu pun kami hentikan setelah satu jam kemudian. Ini gila, pikirku. Aku tak pernah melihat yang seperti ini sebelumnya. Bagaimana bisa para santri tidak merasa berdosa sama sekali ketika membantai orang-orang seperti itu? Namun seperti yang dikatakan oleh Mbah Malik tadi, semuanya karena menganggap sedang dalam jihad fi sabilillah. Oleh sebab itulah maka apapun yang mereka lakukan akan dianggap berpahala.
Tepatnya aku dan Andika pulang seusai shalat dzuhur. Kami sempat dijamu makan siang di rumah Mbah Malik. Makanannya sederhana, sayur lodeh dan tempe goreng. Sekali pun telah menceritakan kengerian tentang masa lalunya, ternyata Mbah Malik itu orang yang menyenangkan. Beliau memang sudah tua tapi tenaganya masih perkasa. Aku diberikan sebuah foto tua berwarna hitam putih. Foto itu menunjukkan bagaimana Mbah Malik memegang kelewang. Ternyata beliau juga orangnya humoris dan ramah, sangat kontras dengan apa yang menjadi dugaanku bahwa seseorang yang pernah membunuh orang akan berbeda sikapnya.
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Orang kedua yang aku temui adalah Masdoeqi Muslim. Sekarang dia tinggal di Kras, Kediri. Kras merupakan sebuah daerah dataran tinggi. Letaknya ada di sebelah barat kota Kediri, di kaki Gunung Wilis. Sekali lagi mobil kami melewati jalanan yang kini mulai panas. Untunglah AC mobil MPV yang kami kendarai cukup mengusir panasnya hari itu.
“Kediri makin panas mas, apalagi sekarang banyak mal di mana-mana,” ujar Andika. “Ibaratnya Kediri sekarang ini lebih kepada kota tempat orang-orang belanja. Lihat aja mal makin banyak bukannya makin sepi tapi makin ramai. Bahkan di alun-alun tadi sudah lihat bukan? Sebelahnya aja ada mal.”
“Aku masih ingat bagaimana dulu di alun-alun sering terjadi banjir ketika hujan sampai Kali Brantas meluap,” kenangku mengingat masa kecilku.
“Hahaha, iya mas. Tapi aku belum lahir,” kata Andika.
“Hahahaha, iya. Kamu belum lahir,” ucapku setuju.
Di radio terdengar musik pop yang mengalun. Hiburan itu cukup membuatku rileks selama perjalanan. Begitu kami memasuki gapura yang menunjukkan SELAMAT DATANG DI KRAS ponselku seketika itu berbunyi. Dari istriku. Ah, aku lupa ngasih kabar.
“Halo?” sapaku.
“Mas, sudah nyampe?” tanyanya.
“Iya, sudah. Maaf lupa ngasih kabar,” jawabku.
“Oh ya udah. Ini sama Si A'an?” tanya istriku.
“Iya nih, dia jadi sopir pribadiku sekarang,” jawabku lagi.
“Mbak, ingat lho ya ini dibayar. Kalau nggak dibayar aku nggak bakal mau nganterin,” kelakarnya.
Aku dan istriku tertawa mendengarnya. Setidaknya kami ada hiburan sebelum pergi ke orang yang perlu kami wawancarai setelah ini.
Rumah tempat Masdoeqi Moeslim ini tidak begitu besar. Paling tidak itulah pandanganku kalau dibandingkan dengan rumah-rumah sebelahnya. Di depan halaman rumahnya ada buah pepaya dan beberapa bunga yang ada di pot. Sebuah pohon mangga ada di pinggir halamannya dan dedaunannya sampai menjorok ke tempat tetangganya. Buah-buahnya berwarna merah kekuningan. Khas buah Mangga Podang yang mana bentuknya kecil-kecil.
“Assalaamu'alaykum?” sapa Andika.
“Wa'alaykum salam,” jawab seseorang dari dalam rumah.
Seorang lelaki menyambut kami. Dia kira-kira berusia kisaran 40 tahun. Begitu melihat kami dia langsung mengerti siapa kami.
“Ini pasti mas-mas yang mau mewawancarai,” tebaknya.
“Iya pak,” kataku.
“Masuk aja! Maaf lho ya, panas,” ujarnya.
“Nggak apa-apa koq pak,” ucapku.
“Mbah, ada tamu!” kata bapak-bapak ini.
Dari dalam rumah, muncullah seseorang lelaki tua. Dia memakai sarung dan kaos singlet. Mungkin karena cuaca panas. Aku bisa mengerti. Dia tersenyum ketika melihat kami berdua. Kemudian kami pun dipersilakan duduk.
Setelah berbasa-basi sebentar, beliau pun mulai menceritakan kronologis peristiwa yang dialaminya.
“Yang saya ingat waktu itu ya ngger sebelum Gestapu PKI emang bikin rusuh duluan. Mereka dan para santri bahkan punya dendam pribadi sejak lama. Dendam itu makin besar ketika adanya Gestapu. Tepatnya saya masih hafal tanggalnya. Tanggal 13 Januari 1965 di Kanigoro, saat itu saya beserta peserta pelajaran Pelatihan Mental Pelajar Islam Indonesia sedang membaca Al-Qur'an dan bersiap shalat subuh. Saat itulah kegaduhan terjadi. Kira-kira ada seribu orang anggota PKI datang, menghambur ke dalam masjid membawa berbagai macam senjata. Mereka dengan paksa mengambil Al-Qur'an kemudian measukkanya ke dalam karung, lalu dilempar ke halaman masjid dan menginjak-injaknya.
“Alasan mereka melakukan itu adalah karena apa yang terjadi pada akhir tahun 1964 ketika terjadi pembunuhan atas kader PKI yang ada di Jombang dan Madiun yang dilakukan oleh kader NU. Kata mereka, 'Utang Jombang dan Madiun dibayar di sini saja.'” jelas Masdoeqi sambil menirukan cara bicara mereka waktu itu.
Kemudian beliau melanjutkan, “Para santri pelatihan termasuk Kyai Jauhari ditodong senjata dan digiring ke kantor polisi. Mereka diancam dibunuh sambil dicaci maki. Sebenarnya antara PKI dan santri tidak pernah ada yang sampai konflik terbuka. Memang ketika berpapasan kami saling melotot, saling ejek. Tapi tidak sampai bentrok. Seperti api dalam sekam. Peristiwa di Kanigoro itulah yang menjadi puncaknya, yang membuat para santri dan anggota Anshor Kediri membantai anggota PKI. Terlebih setelah pemerintah mengatakan bahwa PKI adalah organisasi terlarang. Kami semakin yakin bahwa tindakan kami benar.”
“Anda kenal Pak Abdul Malik?” tanyaku.
“Iya, tentu saja. Kami waktu itu pernah dalam satu tempat untuk menjagal anggota PKI yang dieksekusi,” jawabnya.
“Anda juga ikut berperan di sana sebagai penjagal?” tanyaku lagi.
“Iya. Dan sebenarnya ada peristiwa yang sedikit membuat saya trenyuh. Dia membunuh saudaranya sendiri. Ironis sekali,” ujar Masdoeqi.
“Lho? Beliau tak pernah cerita tentang hal itu,” kataku.
“Tentu saja, siapa yang tega membunuh saudara sendiri? Tapi dia pun melakukannya. Dia tidak cerita mungkin ia tak ingin orang lain mengetahui apa yang dilakukannya,” jelas Masdoeqi. “Sebab dia masih punya hati dan menganggap perbuatannya sebagai dosa yang besar.”
“Bagaimana kejadiannya?”
“Waktu itu, ketika orang-orang diturunkan dari truk. Wajah mereka ditutup sehingga tak bisa melihat. Para tentara menyuruh mereka untuk diam. Mereka sudah seperti sapi-sapi yang siap untuk disembelih. Ada satu tawanan yang waktu itu bersuara. Kemudian Abdul Malik mengenali suaranya. Seketika itu juga Abdul Malik galau karena ternyata yang ada di situ adalah saudaranya sendiri. Tapi kemudian dengan tekad bulat ia pun menebas leher saudaranya sendiri lalu membuang mayatnya di Kali Brantas. Saat itu Abdul Malik memang sempat ragu sampai kemudian saudaranya sendiri bilang, 'Lakukan saja aku sudah siap!' Aku sendiri saat itu merinding, takut kalau-kalau anak atau saudaraku sendiri yang aku tebas lehernya.”
Mendadak suasana menjadi hening. Aku mengerti situasi seperti ini. Mungkin bagiku peristiwa seperti ini adalah peristiwa yang mau tak mau harus terjadi pada masa itu. Saat itu kondisi negara sedang dalam suasana kacau. Di mana orang-orang tak bisa menahan diri. Orang-orang yang tidak bersalah pun jadi korban.
Menurut data, korban dari penjagalan PKI mencapai lebih dari 1 juta jiwa. Itu yang baru bisa dihitung, padahal menurut laporan, banyak kuburan-kuburan masal yang tidak terhitung jumlahnya dari Sabang Sampai Marauke. Sebuah harga yang mahal untuk sebuah revolusi waktu itu.
Menemui dua orang narasumber membuatku mulai mencari tahu apa yang sebenarnya dicari oleh bangsa ini? Mereka sudah melewati berbagai pertumpahan darah dengan melawan penjajah hingga kemudian menjadi tumbal oleh segelintir orang yang haus akan kekuasaan.
Benar kata Pak Soekarno bahwa kita harus waspada kepada penjajahan gaya baru. Penjajahan yang tidak lagi menggunakan senjata untuk menguasai, namun menggunakan pemikiran. Perang pemikiran ini sangat halus, sekolah-sekolah bisa saja mengajarkan hal itu, kalau kita tak punya pondasi yang kuat, kita akan terjerumus ke sana.
Sayangnya waktuku tak banyak di Kediri ini. Aku masih ingin mencari tahu sebenarnya apa yang terjadi waktu itu. Setelah kunjungan terakhir ke rumah Masdoeqi aku menuju ke sebuah masjid yang disebut di ceritanya. Masjid itu dulunya sebuah mushola kecil. Sekarang bentuknya sudah lebih baik dari waktu dulu mungkin. Bangunannya bercat kuning dengan sebuah kubah terbuat dari aluminium tampak membuatnya cukup indah. Aku sempatkan untuk shalat di sini setelah itu aku pulang ke rumah Andika.
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Istirahat yang cukup di rumahnya Andika membuka kenanganku masa lalu ketika aku masih tinggal di kota tempat pabrik rokok terbesar di Indonesia ini berada. Dulu aku sering bermain di sawah tepat di depan rumah. Sekarang tak ada lagi. Dulu aku sering menarik tebu dari truk pengangkut tebu, sekarang kurasa anak-anak kecil sudah tidak melakukan itu lagi. Hanya beberapa anak kecil saja kulihat bermain layang-layang. Aku sempat ijin kepada budhe untuk kemudian pergi ke Jombang, tempat aku bertemu dengan narasumber terakhir.
Catatanku sudah lengkap. Kurangkum apa yang aku dengar kemarin dari dua narasumber. Sedangkan narasumber terakhir ini konon katanya menjadi saksi bahwa ia melihat sendiri bagaimana ratusan orang yang dituduh sebagai PKI dibunuh.
Tak butuh waktu lama untuk sampai di rumah Dasuki di desa Mlancu. Desa ini berada di perbatasan Kediri-Jombang. Kenapa aku ke sini? Karena aku ingin membuktikan sendiri tulisan yang aku baca dari buku Palu Arit di Ladang Tebu. Dan narasumberku sendiri sudah pas.
Wajah Dasuki tampak sumringah melihat kami berdua. Setelah berbasa basi dan memperkenalkan diri kemudian dia mengajak kami ke sebuah tempat.
Ada sebuah tugu berwarna merah putih. Tugu peringatan. Kalau orang luar daerah yang melihat tugu tersebut akan menganggap tugu itu adalah tugu biasa. Namun, di balik dibangunnya tugu itu ada sesuatu peristiwa yang tersembunyi.
“Saat itu saya masih kecil. Sama seperti anak-anak lainnya mas. Di sini ada kejadian yang mengerikan. Waktu itu malam hari banyak yang ribut-ribut. Puluhan orang sudah bersiaga di sini beserta para tentara waktu itu. Sementara itu truk-truk terus berdatangan. Aku yang waktu siang hari bermain di luar rumah segera disuruh masuk oleh kedua orangtuaku. Orang-orang dewasa yang sudah terpilih mempersenjatai diri mereka dengan pedang, golong, kelewang. Aku tak tahu waktu itu apa yang mereka lakukan, hanya saja aku disuruh untuk tidak banyak bertanya. Pikiran anak kecil sepertiku yang ingin tahu tentu saja membuatku penasaran.
“Akhirnya malam itu saya mengendap-endap pergi dari rumah untuk mencari tahu apa sih yang terjadi. Dan di sini saya mengetahuinya. Orang-orang memakai penutup wajah dengan membawa senjata tajam. Sedangkan di depan mereka orang-orang terikat dengan kepala ditutup. Di antara mereka ada wanita juga ada lelaki. Saat itu saya terlalu gaduh sehingga segera ketahuan.
“Salah seorang dari mereka kemudian menyuruh saya untuk pulang. Akhirnya saya pun dipulangkan dari tempat ini. Orangtua saya marah besar waktu itu. Kalau saja saya tak ketahuan saya akan tahu apa yang terjadi malam itu. Yang saya lihat dengan penutup wajah seperti ninja adalah para algojo. Mereka yang bertugas menggorok leher orang-orang PKI. Paginya karena rasa penasaran saya pun keluar dari rumah dan pergi ke tempat itu.
“Bau anyir darah serta kolam darah tergenang di sana. Bahkan kaki kecil saya sampai tenggelam. Mayat tergeletak begitu saja dengan kepala mereka sudah terpisah dari badannya. Seketika itu kengerian langsung menyeruak ke dalam dada saya. Mengerikan.” jelasnya.
“Apa mayat-mayat itu tidak dikubur atau diambil keluarganya?” tanyaku.
“Nggak ada yang berani mas. Siapa yang mau berani mengambil mayat-mayat itu? Kalau ada yang berani maka mereka akan dicap sebagai keluarga PKI, bahkan mungkin akan jadi korban berikutnya. Alhasil selama beberapa hari bau busuk menyengat dari tempat ini. Kemudian atas inisiatif penduduk desa tempat ini pun dijadikan kuburan masal. Lubang tempat dikubur pun dibentuk dan mayat-mayat ditumpuk begitu saja. Untuk menandai lokasinya kemudian di sini dibangun tugu merah putih ini,” jelasnya lagi.
Tiba-tiba saja membayangkan hal itu perutku sedikit mual. Aku seolah bisa merasakan bagaimana rasanya jadi anak kecil pada waktu itu. Melihat kakinya tenggelam dalam darah. Aku jadi penasaran berapa orang-orang yang jadi korban waktu itu.
“Ada berapa orang yang dieksekusi waktu itu pak?” tanyaku.
“Ada 700-an, bahkan para algojo waktu itu mengaku kecapekan memenggal leher-leher mereka,” jawabnya. “Namun sekarang kuburan itu sudah dipindah. Kerangka mereka sudah dipindahkan ke sumur tua di hutan kakao di dekat sini.” Pak Dasuki menunjuk ke sebuah arah tempat hutan tersebut.
Jangan coba-coba, aku tak berani untuk melihat sumur itu. Andika kulihat sampai mengelus-elus tengkuknya, merinding. Kalau dulu aku pernah membaca berita tentang kuburan masal yang ada di Serbia, maka sekarang aku melihat sendiri peristiwa kuburan masal di negaraku.
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Setelah tiga hari berada di Kediri akhirnya aku pun berangkat kembali ke Jakarta. Aku sudah mengirimkan artikelku ke redaksi. Permasalahannya sekarang adalah bagaimana orang-orang akan bereaksi terhadap artikel yang aku tulis. Apakah reaksi mereka terkejut? Menghujat? Atau bagaimana?
Kepada siapakah kesalahan ini akan ditujukan? Apakah kepada rezim waktu itu? Ataukah kepada sempitnya pemikiran masyarakat waktu itu? Kita sudah dijajah berabad-abad oleh para kolonial. Waktu itu mungkin masih sedikit masyarakat yang mendalami pendidikan hingga tinggi. Kedua orangtuaku sendiri saja nggak sampai tamat SMP. Keadaan negara waktu itu juga sangat memungkinkan hal ini terjadi.
Sekarang yang menjadi PR bagi bangsa ini mungkin adalah bagaimana kejadian seperti ini tak akan terulang lagi? Pertumpahan darah seperti ini. Di negara yang dikenal sebagai negara seribu pulau yang mana kekayaan alamnya tak terbatas. Haruskah keindahan alamnya dicemari oleh darah anak bangsa sendiri?
Kitalah yang memutuskan dan menggerakkan bangsa ini mau dibawa kemana. Jakarta, 30 September 2011. Abdul Hakim. Laporanku selesai.
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The End~
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2020.05.20 01:27 BigCatsAreAwesome My stay in Gran Canaria, Spain

Ladies and Gentlemen, the super tree hugger presents a new episode of his travel documentary series. This time, I went further away from my home, so I chose Gran Canaria, one of the Canary Islands which belong to Spain, but not to the continent Eurasia (Europe and Asia are actually one continent), they belong to Africa. So this was the first time for me to stand on another continent, and that already at the age of 32 years. What? You are as young as you feel (or look). In this “documentary”, I’ll tell you about my experiences of my unusual far journey. Warning, this text may contain traces of hippie propaganda, daydreaming and satire.
It was the 24th of April 2019 early in the morning. The transfer taxi picked me up in my home Fieberbrunn (Tyrol, Austria) and brought me to the Munich airport. This wasn’t my first flight, so I wasn’t very nervous because of the security control. However, I secretly hoped that I didn’t somehow look suspicious and get listed in the CIA file of “traitors of the civilised West who summon the downfall of the occident”. As I arrived at the terminal and at the check-in, I went through the security control. The display behind the metal detector showed a warning sign on my shoulder and at my leg. I thought that they already got me by my balls and will label me as “Pagan-Satanic soup herbs witcher”. I have to admit that I had some nasty thoughts (let’s be honest, who hasn’t some nasty thoughts sometimes?), maybe it was because of that. The security man then scanned the two points on my body, but luckily he didn’t find anything suspicious. However, I hoped that I wasn’t secretly listed in “propaganda terror file”. I went on to the gate where I ate a snack and drank a bottle of water. I took a seat in the plane and watched it rolling. As the plane arrived at the runway, it got fast and furious and took off as elegant as the Englishmen in the After Eight TV spot. The flight went towards west over Switzerland and France where the sky was very cloudy. This must have been the rain period that arrived in my home country in the next days. Further west, I could see the Pyrenees, very fascinating. My eyes swelled up. The plane steered to the left, rocketing towards south west over Madrid in Spain and over Portugal. As I was over the Algarve coast, I left my home continent Eurasia and could see the wide Atlantic Ocean. North America was hidden far beyond the horizon. After some time, I could see the island Fuerteventura and the plane set to landing. I also could see Tenerife in the distance. The landing was quite wobbly due to the strong wind. The plane was downright dancing. After a flight time of 4 hours and 35 minutes, it put on the runway and slowed down. My country account got another entry by entering Spain (beside Austria, Germany, Switzerland, Hungary, Italy, Slovenia, Croatia and Bosnia and Herzegovina). As I got out of the plane, I knew that I just entered another continent: Africa. It was a fascinating feeling. I also experienced a mini jetlag because the Canary Islands are in another time zone, so the time here is one hour earlier than in my home.
After I grabbed my suitcase, a bus brought me to Maspalomas, also known as schnitzel, weißwurst and döner paradise. This place is also very popular among gays and lesbians, but I don’t have any problems with that. During the ride, I could see the majestic mountains, so my eyes swelled up. After I arrived in Maspalomas, I got into my apartment in the bungalow zone. On the balcony, I could watch the people at the pool, and this already in April. I even could sit on the balcony shirtless at midnight without freezing. The Canary Islands are located in the subtropical climate zone, but they aren’t far away from the tropical climate zone. They are on the same latitude like Florida, so the sun is slightly more intensive. During midday, the sun is near the zenith, so the own shadow is very short. The sun rocks hard, so a 50 spf sun milk is strongly recommended. I wasn’t interested of swimming in the pool because I find the sea more beautiful. Even though I’m Austrian, there’s nothing wrong with loving the sea. I already read comments like “A real Austrian shouldn’t vacation at the sea”. Arguments like this can easily get invalidated with this fun fact: Austria used to have a sea coast (Austro-Hungarian Empire).
So I went to the beach to watch the famous dunes of Maspalomas. At the lighthouse, I already could see the western part of the dunes. As I went up the first dune, there was a young man from Germany (Baden-Württemberg) who was also fascinated by the dunes. In the next days, I took a bath in the Atlantic Ocean and took a walk through the dunes. They are a true masterpiece of Mother Nature. The dune landscape was declared a nature reserve in 1987, otherwise it probably would have become a victim of the total building craze. We don’t need to cover everything with concrete, loungers and sun umbrellas, we should let nature be nature. In the evening, I mostly took a big walk through the dunes, it was very uplifting and I had a magical feeling. I couldn’t believe how lucky I was to be at such a beautiful place. This landscape is the most beautiful part of Maspalomas, along with the lagoon La Charca. The view at the mystic hinterland, I almost fainted because it was so utterly beautiful, it looked like the scenery of a fantasy movie. My eyes swelled up. I also was fascinated by the tide which is slightly higher here at the Atlantic Ocean than at the Mediterranean Sea. A black cat also crossed my path. Black cats aren’t bad luck, remember that at last. Maspalomas is actually a typical tourist ghetto, here you can buy Lügenpresse (the German word for lying newspaper which means fake news) and “futtern wie bei Muttern” (which means you can get the food of your home country). At the beach, there is a bar called Strand-Apo-Theke which constantly played Ballermann hit songs, so it was rather uninteresting to me because I don’t like this kind of music. I also wasn’t very interested at the Cita shopping centre because there was also this music coming out of it. After some weird creature wanted to give me some kind of card (very likely to be a fraudulent scam), the interest was completely gone. Sometimes, you just want to serve these sub-human cunts a fatty “Leave me the fuck alone!” with a spicy middle finger. So I like the dunes more because they are completely free of such slime critters.
At the Strand-Apo-Theke, you can get schnitzel, potato salad, weißwurst, meatballs and currywurst - like you’re at home. There are also many Chinese restaurants, pizzerias and a Burger King. I couldn’t let it be to taste the Canarian and Spanish cuisine. I ate papas arrugadas (potatoes cooked in saltwater with spicy mojo sauce, a Canarian specialty), Canarian galletas, shrimps in garlic sauce, gazpacho, garlic bread, farmers bread with olive oil and tomatoes, seafood paella, seafood soup, hake with mussels, tapas plate, jamón Serrano and fried squids. I also tried Canarian beer (Tropical and Dorada), Spanish beer (Estrella and Cruzcampo) and Sangría. Yes, you can get this food in Maspalomas, also known as the schnitzel, weißwurst and döner paradise. I also tried Canarian cheese and Guanchitos (Canarian ring cookies covered with chocolate). During buying milk, I had to be sure that it had 3,5 % grasas (Spanish for fat) because I don’t like low fat milk. I also don’t need that disgusting 0,1% fat yoghurt or skimmed cheese, especially on holidays. This whole diet and light grub is nothing more than artificial poor quality bullshit. I don’t know any other animal species that modifies its food so that it’s low fat, ergo tasteless. It’s sad that humans alienate more and more from nature. Everywhere you can read things like that you have to eat pizza with skimmed cheese instead of mozzarella, you have to eat tiramisu with low fat quark instead of mascarpone, otherwise you are “out”. One day we have to eat chemical pills, and natural food will be labeled as “unhealthy”, “fattening”, “Pagan” or “not compliant with the latest trends dictated by the almighty and omniscient brainwash media”.
While talking with people, there was multiculturalism 4 life because I talked with people from different countries. At the beach, I talked with a Swiss family about nature and the island Gran Canaria. They told me of a man at the beach who wanted to persuade them to book a trip. I told them that it’s a scam and that they shouldn’t do it because these sellers are shit ass creatures who want to persuade people to do a “free sightseeing trip” which is a merciless fraudulent scam. They sell poor quality crap with very expensive prices. They also rush people into signing an expensive time sharing contract which is useless (this remembers me of the South Park episode “Asspen” which shows the time sharing scam in a satirical way). One day at the beach, I ate a snack. There was a catchy reggaeton music coming out of the speakers and three middle-aged women celebrated this music. They were local people, they talked to me and asked where I’m from. When I answered, they said “Austria grande!” and we had a conversation about the sea and the island. They had a fiery temperament and happiness. This was kind of contagious to me. I’m actually a quite calm/phlegmatic person, but when I’m around people with an impulsive temperament, I get this temperament too. One of them had a tattoo of a contour of a cat on her leg. A cattoo! Hail kitties! The Feline Reich will rise! She told me that she loves fluffy kitties very much. I told her that I’m also a “crazy cat lover” and that there is a wild cat species roaming free in my home country Austria – the lynx. They were very fascinated about this. They also love wolves. We celebrated together while listening to the reggaeton music and enjoyed the beauty of nature and wildlife. It’s amazing. First I’m just a tourist, and then suddenly I’m in the middle of life. On another day, I sat on a dune where I had a conversation with a young man from London. We talked about the beauty of the island and our home countries. He also loves wild cats and wolves. He told me of a friend who has a husky, a dog breed which looks very much like a wolf. One evening, I walked through the dunes and along the beach. On a dune, there were two young women who looked kind of irritating to me. They constantly messed around with their smartphones and held the camera in the air while turning around 360° and shouting “WHHOOOOOHHH!”. They did this multiple times. This seemed to be a new trend, but yet again, I didn’t know anything about this because I’m too old for this shit. There also was an old local man sitting on the dune. He lives in Playa del Inglés and only spoke a few English words. As we had a conversation, I concentrated my little Spanish vocabulary, we mainly talked with sign language. The two girls finally walked away and he also wasn’t amazed by their fanatic smartphone craze. We talked a little bit about senseless trends and walked along the beach together, heading to the lighthouse. He told me something about the island and taught me some Spanish words. He also loves wild cats and wolves. As we said goodbye, he said “Muchas gracias!” and gave a thumb up to show me that he was happy to meet me. On the way to my apartment, I met a young man. Every year, he works in Gran Canaria for four months and for the rest of the year, he lives in Rome (Italy). He also loves wild cats and wolves. We talked about our lives and about nature (mainly about the wolves of Yellowstone). Wolves are cute and fluffy. Yes, I’m crazy. At a beach bar, I talked with the bar lady who loves wild cats and wolves. I used Google Translate to translate “Nature is sacred and needs to be protected.” and “Nature is truly a great artist. It’s a shame that only a few people appreciate this.” into Spanish and she agreed. Once again, I couldn’t stop spreading my hippie and eco propaganda. I talked with a Cuban who loves wild cats and wolves as well. Now I already have some supporters for my feline army to build the Reich. All HAIL to the reintroduction of the Eurasian lynx to Austria!
I was so curious to go on a bus trip around the island. The first stop was in Puerto de Mogán where I went through the old town and up to a panorama platform. It was a beautiful view down to the port and the rocky coast. The trip went on through the hinterland and to a town with the fantasy-like sounding name Agaete at the west coast of the island. We stopped at a restaurant at lunch time. I ate a fish soup and a seafood paella. There also where a German and a French sitting at the table. They also love wild cats and wolves. We talked about the majestic view of the west coast and our lives. After that, I walked around in Agaete watched the rocky coast before the trip went on to Las Palmas. I walked around in Las Palmas and was very fascinated by the beach Las Canteras with its black spots. Once again, my eyes swelled up. This town kind of has its own flair. Then it went on back to Maspalomas. During the bus ride, I talked with a German woman who already often spent her vacation on this island. She finds it very uplifting to walk through the dunes and was also fascinated by the nature of the island.
On another day, I took a bus ride through the middle of the island. I visited Teror, a town in the inland. In this town, there were Spanish soldiers who were praying in the church. On a panorama platform, I could watch the landscape and the Roque Nublo, it was breathtaking. I also could see a little bit of Tenerife with the Teide mountain (the highest mountain of Spain, 3718 meters) behind a veil. We stopped at a mountain inn where I ate rancho Canario (Canarian vegetable soup), Spanish tortillas and postre mousse de gofio (Canarian dessert). There were also an elderly Bavarian couple and an elderly Irish couple sitting at the table. We had a conversation and once again, I raved about the beauty of nature. I showed them some photos, such like the photo which I shot in the Plitvice National Park in Croatia where there is a hidden lynx on it. They where very amazed by nature’s masterpieces. The trip went on through Fataga and I could see an aloe vera farm. Once again, the landscape with its canyons and lots of palms made my eyes swell up.
Now let’s head for the neighboring island Tenerife. I wanted to conquer the town Santa Cruz. It was early in the morning and it was dark. A bus brought me to Agaete from where a ferry went to Tenerife. During the ride, the ferry swung to the left and to the right due to the waves of the sea so my stomach prickled, like I was on a roller coaster. I could hear people vomiting because they got seasick. The ride took two hours, then the ferry reached Tenerife and docked at the port of Santa Cruz. Once again, I was amazed by the majestic mountains behind the town and by the town itself. First I walked towards south to the auditorium of Santa Cruz, I was fascinated by its architecture. I took a little break and ate an ice cream (passion fruit and coconut Santacruzian style). In the front of the auditorium at the coast, there are rocks with portraits of famous people (such like Johan Strauss) painted on them. The weather was fine and completely cloudless. I preferred to stay in the northern part of the town because there weren’t as many cars driving around as in the south. I ate Spanish tards, I don’t know their names anymore, but they were delicious. At a bar, I ate a Serrano snack and drank a cappuccino. At the neighboring table, there were some elderly German people who spent their vacation in Tenerife. They were also fascinated by the island. There also was a young local woman who lives in Santa Cruz. She only was here for a short time because she had to go to work. I talked to her and so we had a nice conversation about our home countries. I told her that we have lynx, wolves and brown bears in Austria which she found interesting because she loves lynx, wolves and bears as well. It was a nice day in Santa Cruz, then the ferry took me back to Gran Canaria. During the ride, I met a young man from Saxony (Lausitz). We talked about our vacation and enjoyed the pensive atmosphere. The ferry headed straight to the “abyss” (horizon). He told me that there are wolves in the Lausitz area, but even if you walk around and actively search for wolves, you won’t see them. We were outraged by animal haters who speak out rants against cats and other animal species. We also were outraged by the Lügenpresse (fake news) which spreads fear and hatred against nature. Once again, damn you, Lügenpresse! During the bus ride from Agaete to Maspalomas, I saw lots of small houses and I thought about the everyday life of the local people here, so once again, there was a pensive atmosphere.
I did a trip to Las Palmas. First the trip went to the hinterland and up to the volcano crater Caldera de Bandama, and then it went on to a botanical garden where I could see some very beautiful endemic plants. After that, I took a little deeper look on Las Palmas. I walked through the alleys and along the beach promenade. Once again, I felt the special atmosphere of this city, it’s incredible. At a bar, I ate some Serrano ham and Canarian cheese. The people here are very lively and greeted each other with an impulsive temperament, I was very fascinated. At the neighbouring table, there were local women, one of them had two cute small dogs. As they left, one of the dogs gave me a kiss, and then we all laughed together. In the Santa Catalina Park, I found a statue of a woman with her four cats. You can’t imagine how delighted I was and once again, my eyes swelled up. First I photographed the whole piece of art, and then I photographed every single cat because they are so cute. Later I found out that this is a statue of a famous personality called Lolita Pluma who fed cats and was declared the “Queen of the Santa Catalina Park” in 1984. This statue is a symbol of freedom, muse of tourism and artists, and protector of animals. I ate an ice cream (mango and caramel) and took a short break by sitting down on a public seat. There was a young local man sitting next to me who lives in Las Palmas, so we had a conversation. I told him of my home country and its wildlife. He loves wolves as well. Wow, so many people who love wolves! So I’m not alone with my craziness. He loves wild cats as well, such like lynx. He was pretty amazed as I told him that I travelled to Gran Canaria alone.
On the last day of my vacation, I joined a hiking trip in the inland of the island. We walked along a hiking trail up the mountains and through a pinewood. The sky was completely cloudless and once again, the beauty of nature was breathtaking. I also could see Tenerife with the Teide. I took lots of photos. I also took photos of me standing in a natural landscape with the Teide in the background and a photo of me hugging a tree. I thought about creating a meme with a photo of nasty drunk party people and a photo of me hugging the tree right below the party people photo. The party people photo says “How normal people spend vacation” and the photo of me says “How freaks and tree huggers like me spend vacation”. If I upload such a meme on the Internet, I would probably get scorn and ridicule and make people angry. An apocalyptical shitstorm would break out. Maybe even the Third World War would start. Ok, let’s stop the wondering, I just enjoyed the landscape and my eyes swelled up. The trip went up to a masterpiece of Mother Nature: the Roque Nublo. I can’t describe how amazing the view was up there. During the hike, I also could see a rock formation which looked like Donkey Kong holding a beer and some other funny rock formations.
On the next day, I walked around in Maspalomas and was thinking about my vacation. During the walk, I suddenly saw a Gran Canaria giant lizard on the other side of the road. This lizard species is only native to Gran Canaria, ergo endemic. I quickly grabbed my camera and was lucky to take some photos of it, even though the lizard was moving very fast. Lizards are one of my favorite animals, I find them very cute. People could call me a lizard hugger. I watched the photos and was happy about my “trophy”. Once again, I had an idea for a meme with a photo of a trophy hunter posing next to a dead lion and a photo of me posing next to the lizard photo poster on my wall. The lion trophy hunter photo says “How normal people do trophy hunting” and the photo of me says “How dreamers and eco pussies like me do trophy hunting”. Some self-proclaimed crusaders would probably go after me with pitchforks and fire torches. Maybe even Donald Trump himself would appear and scream at me with phrases like “Holy Double Whopper, what the fucking fuck are you fucking fuck fucking doing?”.
Then I was thinking about an incident in South Africa where a poacher got trampled by an elephant and mauled by lions. He wanted to hunt rhinos to sell their horns to the Chinese. But science has proven that the horn of rhinos, tiger penis soup and stuff like that is totally useless and doesn’t have any effects. This “medicine” makes me so utterly angry and needs to get eliminated. Screw the Chinese medicine! WAAAHH!!! GET RID OF THIS FUCKING SHIT WHORE FILTH!!! There are “traditions” which need to get eliminated (such like the “tradition” of the bull fight, btw, bull fights are banned on the Canary Islands). I was surprised how many people were happy about the poacher’s death. There are lots of newspaper articles of this incident. In the comment sections, there were mainly people who made fun of the poacher’s death and were happy about it. Comments like “You eco pussies, tree huggers and city folks have no clue about life. Unlike us manly, straight and smart countryside people, only we know everything.” were very rare. Btw, I’m a countryside person. Well, I don’t think that the village St. Jakob in Haus (where I was born and raised) counts as a city. I also was happy about his death. I know we shouldn’t make fun about the death of people, but that sub-human scum of poachers totally deserves it. I would personally throw the parasite filth into the oven, make a video of it and upload it on the Internet, titled “In your face, nature haters!”. If we destroy nature, nature will destroy us.
A bus then brought me to the airport, where I had a conversation with an older woman who hates predators. She said that all wolves should be shot. I told her that snow leopards and tigers are close to extinction and that it’s a shame, then she said “Well, get rid of them!”. She also didn’t have a passion for sharks. Another older woman joined the conversation and ranted against foxes and other wild animals. I did what I can do best: spread hippie propaganda! I spoke the usual phrases like “The world belongs to all creatures, not only humans.”, “The animals were there before us, who are we to decide which species can live and which cannot?” and “Humanity destroys the earth, but the other animal species are labeled as evil.”. I also told them that I find sharks and snakes very beautiful and that they are very important to the eco system. Then they looked at me incredulously. They also looked puzzled. A man sitting next to me agreed with me, so I wasn’t alone with my statement. Well, I made my point and hopefully made the world a little bit better. I’m not that so-called “brave, straight, righteous and conservative citizen” who gets drunk every weekend, listens to mainstream hit music, screams populist rants, worships status symbols (such like fast cars or the newest smartphones), reads the Kronen Zeitung (an Austrian populist boulevard newspaper) and goes to Church. I’m more of an unworldly do-gooder and hopeless hippie floating through his rainbow dream world on pink clouds and watching out for cute unicorns. After that conversation, I went on to the gate to fly back to Munich (but not on pink clouds, even though I’m sure that would have been very beautiful). During the plane ride, there was this pensive atmosphere again. I was thinking about the two wildlife-hating women at the airport. And then people wonder why this world is going down to drain. Well, I hope that at least they will remember my words. After 3 hours and 52 minutes, I landed at Munich airport from where the transfer brought me back to Fieberbrunn. I finally returned home.
I experienced a lot of things during my two weeks vacation. I entered new terrain, tasted new food (I know that it almost sounds like a sacrilege, but I didn’t eat any schnitzel, döner or McDonald’s food during the two weeks) and met new people. And, well, I made the world a better place. Or not. Haha! I definitely had a lot of fun and the atmosphere was typical vacation-like and sunny, but sometimes also pensive. And, yeah, my eyes swelled up. The weather also was always sunny, at least at the south coast because the mountains protect the coast from the northeast trade wind. Only in the north, the weather was sometimes cloudy due to the northeast trade wind. In my home country, the weather was mostly rainy and sometimes snowy, so I escaped the bad weather. I was sitting at the sea with sunny weather. Meanwhile in my home country, the weather was rainy, snowy and cold. I’m just not a winter person, even though I’m from Tyrol. Some people would see this as a mortal sin because I already found comments like “A real Austrian has to spend vacation in the snowy mountains and not in hot countries!”. I also didn’t need Kronen Zeitung or BILD (a German boulevard newspaper) which I also don’t read at home. Yes, I’ve never bought a Kronen Zeitung newspaper. Oh no, I see enraged citizens rioting and lighting the stake. They want to burn that evil heretic who dares to question the infallibility of the holy Kronen Zeitung. This text is also filled with idealist mindset and will probably polarize because it contains parts which some people may find disturbing (especially because I use words like “sub-humans”). But this is necessary to give people a wake up call. I’m just not an “I lay my love on you” radio pop lyric person who only produced that conform and standardized radio crap. I sometimes have to be rough and honest to speak out my opinion, even though some narrow-minded backwoodsmen get red faces and would like to sic entire secret agencies on me. But this is rather unlikely. Which kind of weird planes are flying over me? And why is there a guy with a giant antenna walking around? And who’s knocking on my door? I’m opening the door… and once again, I get big googly eyes.
See, the occident still exists. People should open their mind and not bash on everything which they see as “not normal”. Start to think for yourselves. I still hope that overall, you liked this text and that it enriched you and that I will do more journeys to experience more diversity. Diversity 4 life!
May the pink clouds show us the way.
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2020.04.16 15:01 newstarbucks O ensino de ciências precisa ser pop (Matéria cita Átila, ataques dos haters e outros divulgadores de ciência.)

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2019.10.17 01:25 Ecstatic_Drop trap / rap 2019 la mejor musica del momento, very good miusic

trap / rap 2019 la mejor musica del momento, very good miusic
El trap es un subgénero musical del rap que se originó en la década de 1990, en el sur de los Estados Unidos.1#cite_note-cr-1)​2#cite_note-topman-2)​3#cite_note-djmag-3)​
El término trap proviene del argot estadounidense para denominar el lugar donde se venden drogas ilegalmente o al hecho de venderla.
La música trap usa sintetizadores, cajas rítmicas, sub-graves, hi-hats de subdivisión binaria o ternaria, y normalmente abundante y en ocasiones exagerado uso del auto-tune y los modos armónicos menores para darle una estética oscura y triste.4#cite_note-4)​ Estas características primarias conformarán el sonido característico de la música trap procedente de productores como Shawty Redd.5#cite_note-5)​
El trap se diferencia de otros géneros por su ritmo, arreglos electrónicos densos y sombríos. Puede ser muy lento y a la vez rápido. El trap mantiene una fuerte influencia del hip hop, tanto estética como técnicamente. Sin embargo, en la mayoría de los casos la métrica de la música trap es considerablemente más sencilla que la del rap tradicional, llegando en ocasiones a ignorar completamente la medida de los versos o la rima. Lo importante no son las notas musicales, sino los efectos sonoros. Esta es la mayor diferencia entre ambos géneros, que a menudo suelen confundirse.6#cite_note-6)​7#cite_note-lexluger-7)​
Surgió a principios de los años 90 con discreta popularidad; el término se originó en Atlanta, Georgia, donde raperos y grupos como Three 6 Mafia, UGK, Outkast y Goodie Mob fueron de los primeros en usar este estilo en su música siendo considerados los padres del trap.
A mediados de los años 2000, el número de raperos dedicados al trap aumentó, empezando a ser reconocido después del éxito de varios álbumes y singles con letras que cubrían temas sobre la vida en el guetto, el tráfico de drogas y la lucha por el éxito social.2#cite_note-topman-2)​ Varias personalidades del Southern Rap, como T.I., Young Jeezy, Gucci Mane y Rick Ross produjeron éxitos que comenzaron a aparecer más fuertemente en discos de mezclas y en emisoras de radio fuera de Estados Unidos.
A principios de los años 2010, la segunda ola de artistas del trap alcanzaron el top de los Billboard y ayudaron a aumentar la popularidad del trap. El productor y pionero del trap Lex Luger ganó popularidad, llegando a producir más de 200 canciones en 2010 y 2011, incluyendo numerosos singles de artistas raperos famosos como Rick Ross con la canción «BMF (Blowin' Money Fast)», H•A•M de Kanye West y Jay-Z. Rick Ross, Future),3#cite_note-djmag-3)​ Young Thug, Kanye West y especialmente Chief Keef puso de moda por su estilo. Muchos utilizan los ad-libs famosos de Keef tales como «aye», «gang gang», «let's get it» (versión de Lil Pump:esskeetit) y «phew» se convirtió en tendencia en el mundo del trap. En varias entrevistas con Playboi Carti, YBN Almighty, Lil Uzi Vert, Lil Pump, Smokepurpp, Ski Mask the Slump God y Juice WRLD dieron crédito a Keef por la mayor influencia de la ola del «mumble rap». Desde el surgimiento de Luger, su sonido característico ha sido de uso intensivo en el trap de los 808, las trampas nítidas, los hi hats de alta velocidad, las teclas de sintetizador y la orquestación de metales, cuerdas, instrumentos de viento y teclados. Muchos de sus sonidos fueron adoptados e incorporados por otros productores del hip hop. Lex Luger y 808 Mafia se consideran los pioneros del trap moderno.

Trap latino[editar&action=edit§ion=2)]

📷Bad Bunny, uno de los máximos exponentes del Trap latino, muy popular desde mediados de la década de 2010.
También llamado en inglés "latin trap", es un subgénero y la versión latina del trap norteamericano. Si bien el trap latino tiene sus primeros antecedentes ya en la década del 2000, fue popularizándose masivamente recién a mediados de la década del 2010, por encima inclusive del reguetón, muchos de sus canciones en conjunto con otros artistas, y hasta a veces una especie de "remix" de los mismos. Algunos de sus máximos exponentes son: Ozuna, De La Ghetto, Bad Bunny, Farruko, Maluma, Arcángel, Anuel AA, Bryant Myers, Lary Over, Paulo Londra, Duki entre otros.
Los primeros artistas en incursionar en el subgénero fueron Arcángel), Ñengo Flow, Randy, De La Ghetto, entre otros, principalmente raperos y cantantes de Puerto Rico. Randy y Arcángel se atribuyeron el haber comenzado a finales de 2006 el movimiento del trap latino mediante canciones como «Me compré un full», «El pistolón» y «Sensación del bloque», a pesar de que en 2007 (año en que esas canciones fueron lanzadas) no se hablaba aún de ese subgénero, ya que no se tenia conocimiento del mismo y se lo relacionaba con un reggaeton simple.[cita requerida]
Así como el reguetón en su momento, el trap latino es duramente criticado por sus letras obscenas, incitando al sexo, drogas, fuerte machismo, infidelidad, etc. Por ejemplo, el sencillo «Cuatro Babys» de Maluma fue fuertemente criticado por su contenido ofensivo hacia las mujeres, según expresó la activista Yolanda Domínguez quien trató al intérprete de machista y misógino e incluso pidió que su vídeo musical fuera retirado de YouTube.8#cite_note-8)​ La polémica rodeó a Maluma durante algunas semanas por el tema, y varios de sus colegas, entre ellos Farruko, opinaron que la controversia surgió debido a que el cantante venía haciendo un tipo de música distinto, estableciéndose como un cantante pop comercial de letras aptas para todos los públicos. A pesar de ello, el sencillo logró alcanzar el puesto 15º en el Hot Latin Songs de Billboard en diciembre de 2016, siendo la canción de trap latino que más escaló en esa lista.[cita requerida]
Posteriormente, el trap alcanzaría mayor acogida con la aparición del puertorriqueño Bad Bunny, quien logró incluir quince canciones en la lista Hot Latin Songs en 2017 y en 2018 logró posicionar 27 en el mismo ranking, contando con numerosas participaciones con artistas como Will Smith, Cardi B y Drake) y la publicación de su disco X 100pre a fines de ese año.9#cite_note-9)​10#cite_note-10)​11#cite_note-11)​ Otros cantantes urbanos como Anuel AA comenzaron a incursionar en el trap latino y acrecentaron la popularidad del género, por lo que muchos otros cantantes de reguetón también graban y lanzan canciones de trap.12#cite_note-12)​

Criticas[editar&action=edit§ion=3)]

La incapacidad del Trap latino para reproducirse en los radios de EE.UU se deriva de la blasfemia y lascivia de la letra. La canción "Cuatro Babys" de Maluma ha recibido mucha controversia sobre sus letras, ya que podría parecer que sugieren violencia directa hacia las mujeres. Se publicó una petición en Change.org exigiendo la eliminación de la canción de las plataformas digitales. A pesar de esta controversia, la popularidad de "Cuatro Babys" solo ha aumentado con la canción que se ha cuadruplicado Platinum. Debido a esto, el trap latino ha tenido un seguimiento grande, pero principalmente odiado.
El 15 de septiembre de 2018, Anuel AA lanzó una canción dirigida a su compañero rapero Cosculluela. La canción fue ampliamente criticada debido a su lenguaje grosero y comentarios ofensivos sobre la homosexualidad y los pacientes con VIH. Debido a la reacción del público, el concierto de Gazmey en el lugar del Coliseo de Puerto Rico programado para el 12 de octubre de ese año fue cancelado por su personal de producción y productor principal, Paco López. Gazmey luego emitió una disculpa por la canción.

Trap en España[editar&action=edit§ion=4)]

El trap llegó a España entre el 2008 y el 2010 con unas primeras pinceladas.[cita requerida] Pero no fue hasta el 2012 que apareció el trap como término musical y pequeños artistas underground empezaron a ganar notoriedad en la escena.[cita requerida] El peso de ser los introductores de este género lo lleva Steve Lean en la producción musical al conseguir hacerse escuchar en la edición del festival Sónar del año 2015, actuando junto a Mala Rodríguez, donde llamaron la atención de la discográfica Sony para publicar con ellos el primer largo.13#cite_note-mundo-13)​
Este grupo (y otros que fueron apareciendo a medida que el género musical iba ganando adeptos) reflejó la sociedad actual en sus canciones y eso hizo que millones de jóvenes se sintieran identificados con el trap cada vez con más fuerza.
Actualmente el trap es un estilo musical que va restando espacio en los medios de comunicación a otros estilos más comunes, como ya sucedió en Estados Unidos y Latinoamérica.
Estos son algunos de los representantes del trap español:13#cite_note-mundo-13)​14#cite_note-14)​

(bibliografia de wikipedia)
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2019.03.23 04:06 PodcastSharing 2019/03/21 to 2019/03/14 - Top Weekly Episode Rankings

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2019.03.16 17:54 PodcastSharing 2019/03/15 to 2019/03/08 - Top Weekly Episode Rankings

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2019.03.15 15:45 tombstoneshadows28 E-ver-y film (short, long, documentary, narrative, live-action, animated) with a "horror" keyword to be presently found on IMDB (in chronological order from 1988 and 1989)

1988
  1. They Live (1988/94m/John Carpenter)
  2. Child's Play (1988/87m/Tom Holland)
  3. A Nightmare on Elm Street 4: The Dream Master (1988/93m/Renny Harlin)
  4. Halloween 4: The Return of Michael Myers (1988/88m/Dwight H. Little)
  5. Hellbound: Hellraiser II (1988/97m/Tony Randel)
  6. Dead Ringers (1988/116m/David Cronenberg)
  7. Killer Klowns from Outer Space (1988/PG-13/88m/Stephen Chiodo)
  8. The Blob (1988/95m/Chuck Russell)
  9. Friday the 13th Part VII: The New Blood (1988/88m/John Carl Buechler)
  10. The Serpent and the Rainbow (1988/98m/Wes Craven)
  11. Pumpkinhead (1988/86m/Stan Winston)
  12. Return of the Living Dead II (1988/89m/Ken Wiederhorn)
  13. Poltergeist III (1988/PG-13/98m/Gary Sherman)
  14. Critters 2: The Main Course (1988/PG-13/86m/Mick Garris)
  15. Maniac Cop (1988/85m/William Lustig)
  16. The Seventh Sign (1988/97m/Carl Schultz)
  17. Vampire's Kiss (1988/103m/Robert Bierman)
  18. Phantasm II (1988/97m/Don Coscarelli)
  19. Night of the Demons (1988/90m/Kevin Tenney)
  20. Elvira: Mistress of the Dark (1988/PG-13/96m/James Signorelli)
  21. Alice (1988/86m/Jan Švankmajer)
  22. Fright Night Part 2 (1988/104m/Tommy Lee Wallace)
  23. Monkey Shines (1988/113m/George A. Romero)
  24. Waxwork (1988/95m/Anthony Hickox)
  25. Hobgoblins (1988/88m/Rick Sloane)
  26. The Lair of the White Worm (1988/93m/Ken Russell)
  27. Sleepaway Camp II: Unhappy Campers (1988/80m/Michael A. Simpson)
  28. Brain Damage (1988/84m/Frank Henenlotter)
  29. Amsterdamned (1988/114m/Dick Maas)
  30. Return of the Killer Tomatoes! (1988/PG/98m/John De Bello)
  31. Dead Heat (1988/86m/ Mark Goldblatt)
  32. Lady in White (1988/PG-13/113m/Frank LaLoggia)
  33. Men Behind the Sun (1988/105m/Tun Fei Mou)
  34. 976-EVIL (1988/92m/Robert Englund)
  35. Scarecrows (1988/83m/William Wesley)
  36. Zombie 3 (1988/84m/Lucio Fulci, Claudio Fragasso and Bruno Mattei)
  37. Ghoulies II (1988/PG-13/89m/Albert Band)
  38. Watchers (1988/91m/Jon Hess)
  39. Slugs (1988/89m/Juan Piquer Simón)
  40. Pin: A Plastic Nightmare (1988/103m/Sandor Stern)
  41. Bad Dreams (1988/80m/Andrew Fleming)
  42. Cheerleader Camp (1988/89m/John Quinn)
  43. Sorority Babes in the Slimeball Bowl-O-Rama (1988/80m/David DeCoteau)
  44. Hollywood Chainsaw Hookers (1988/75m/Fred Olen Ray)
  45. Howling IV: The Original Nightmare (1988 Video/94m/John Hough and Clive Turner)
  46. Jack's Back (1988/97m/Rowdy Herrington)
  47. Evil Dead Trap (1988/102m/Toshiharu Ikeda)
  48. Pulse (1988/PG-13/95m/Paul Golding)
  49. Not of This Earth (1988/81m/Jim Wynorski)
  50. Daffy Duck's Quackbusters (1988/G/72m/Greg Ford, Friz Freleng, Chuck Jones, Terry Lennon, Robert McKimson and Maurice Noble)
  51. Spellbinder (1988/99m/Janet Greek)
  52. Ghosthouse (1988/95m/Umberto Lenzi)
  53. Ginî piggu: Manhôru no naka no ningyo (1988 Video/63m/Hideshi Hino)
  54. The Unnamable (1988/87m/Jean-Paul Ouellette)
  55. The Visitors (1988/109m/Jack Ersgard)
  56. The Nest (1988/89m/Terence H. Winkless)
  57. Cellar Dweller (1988/77m/John Carl Buechler)
  58. Troma's War (1988/91m/Michael Herz and Lloyd Kaufman)
  59. Rabid Grannies (1988/89m/Emmanuel Kervyn)
  60. Witchery (1988/95m/Fabrizio Laurenti)
  61. The Kiss (1988/101m/Pen Densham)
  62. FleshEater (1988/88m/S. William Hinzman)
  63. The Unholy (1988/102m/Camilo Vila)
  64. The Brain (1988/94m/Ed Hunt)
  65. Tales from the Gimli Hospital (1988/72m/Guy Maddin)
  66. Black Roses (1988/90m/John Fasano)
  67. Heart of Midnight (1988/93m/Matthew Chapman)
  68. Ghost Town (1988/85m/Richard McCarthy, Mac Ahlberg)
  69. Hide and Go Shriek (1988/90m/Skip Schoolnik)
  70. Uninvited (1988 Video/PG-13/90m/Greydon Clark)
  71. Rowing with the Wind (1988/105m/Gonzalo Suárez)
  72. Slime City (1988/81m/Gregory Lamberson)
  73. Out of the Dark (1988/89m/Michael Schroeder)
  74. Cameron's Closet (1988/88m/Armand Mastroianni)
  75. Death Street USA (1988/96m/Nico Mastorakis)
  76. Robo Vampire (1988/90m/Godfrey Ho)
  77. Vampire in Venice (1988/97m/Augusto Caminito, Mario Caiano, Klaus Kinski, Maurizio Lucidi, Pasquale Squitieri and Luigi Cozzi)
  78. Flesh-Eating Mothers (1988/89m/James Aviles Martin)
  79. The Moonlight Sonata (1988/86m/Olli Soinio)
  80. Doom Asylum (1988/77m/Richard Friedman)
  81. Nightmare Sisters (1988/83m/David DeCoteau)
  82. Phantom of Death (1988/90m/Ruggero Deodato)
  83. Grotesque (1988/89m/Joe Tornatore)
  84. Prime Evil (1988/83m/Roberta Findlay)
  85. Rat Man (1988/82m/Giuliano Carnimeo)
  86. Grandmother's House (1988/90m/Peter Rader)
  87. The Green Inferno (1988/90m/Antonio Climati)
  88. Deep Space (1988/90m/Fred Olen Ray)
  89. Catacombs (1988/84m/David Schmoeller)
  90. The Last Slumber Party (1988 Video/80m/Stephen Tyler)
  91. Witchcraft (1988 Video/95m/Rob Spera)
  92. Slaughterhouse Rock (1988/90m/Dimitri Logothetis)
  93. Veerana (1988/135m/Shyam Ramsay and Tulsi Ramsay)
  94. Robowar - Robot da guerra (1988/92m/Bruno Mattei)
  95. Destroyer (1988/94m/Robert Kirk)
  96. Hack-O-Lantern (1988 Video/87m/Jag Mundhra)
  97. Saturday the 14th Strikes Back (1988/PG/78m/Howard R. Cohen)
  98. Fair Game (1988/81m/Mario Orfini)
  99. Il bosco 1 (1988/85m/Andreas Marfori)
  100. Twice Dead (1988/87m/Bert L. Dragin)
  101. The Spider Labyrinth (1988/120m/Gianfranco Giagni)
  102. Demonwarp (1988/91m/Emmett Alston)
  103. Dream Demon (1988/86m/Harley Cokeliss)
  104. Cannibal Campout (1988 Video/88m/Tom Fisher and Jon McBride)
  105. The 13th Floor (1988/88m/Chris Roache)
  106. To Die For (1988/94m/Deran Sarafian)
  107. Spellcaster (1988/83m/Rafal Zielinski)
  108. Primal Rage (1988/91m/Vittorio Rambaldi)
  109. Rejuvenatrix (1988/90m/Brian Thomas Jones)
  110. Death House (1988/90m/John Saxon)
  111. The Phantom Empire (1988 Video/83m/Fred Olen Ray)
  112. Woodchipper Massacre (1988 Video/80m/Jon McBride)
  113. Iced (1988/86m/Jeff Kwitny)
  114. Dial: Help (1988/94m/Ruggero Deodato)
  115. Apprentice to Murder (1988/PG-13/97m/Ralph L. Thomas)
  116. Dracula's Widow (1988/86m/Christopher Coppola)
  117. The Carpenter (1988/87m/David Wellington)
  118. Edge of the Axe (1988/91m/José Ramón Larraz)
  119. Rush Week (1988/96m/Bob Bralver)
  120. 555 (1988 Video/90m/Wally Koz)
  121. Necromancer (1988/88m/Dusty Nelson)
  122. Lurkers (1988/90m/Roberta Findlay)
  123. Lucky Stiff (1988/PG/82m/Anthony Perkins)
  124. Tokyo: The Last Megalopolis (1988/135m/Akio Jissôji)
  125. Transformations (1988/84m/Jay Kamen)
  126. Blood Relations (1988/90m/Graeme Campbell)
  127. Death by Dialogue (1988/89m/Thomas Dewier)
  128. Mr. Vampire Saga (1988/96m/Ricky Lau)
  129. The Night of the Living Duck (1988/G/7m/Greg Ford and Terry Lennon)
  130. Deadly Dreams (1988/79m/Kristine Peterson)
  131. Dangerous Game (1988/98m/Stephen Hopkins and David Lewis)
  132. Non aver paura della zia Marta (1988/88m/Mario Bianchi)
  133. I frati rossi (1988/85m/Gianni Martucci)
  134. Curse of the Queerwolf (1988/86m/Mark Pirro)
  135. The Stay Awake (1988/85m/John Bernard)
  136. Dogra Magra (1988/109m/Toshio Matsumoto)
  137. Kujaku ô (1988/86m/Ngai Choi Lam and Biao Yuen)
  138. Frankenstein General Hospital (1988/90m/Deborah Romare)
  139. Fatal Pulse (1988/90m/Anthony J. Christopher)
  140. Meng gui fo tiao qiang (1988/82m/Ronny Yu)
  141. Vacaciones de terror (1988/90m/René Cardona III)
  142. The Undertaker (1988/89m/Franco Steffanino)
  143. Hollow Gate (1988/76m/Ray Di Zazzo)
  144. Midnight Movie Massacre (1988/85m/Laurence Jacobs and Mark Stock)
  145. Dead Mate (1988/90m/Straw Weisman)
  146. Lone Wolf (1988/97m/John Callas)
  147. The Newlydeads (1988/77m/Joseph Merhi)
  148. Mask of Murder (1988/89m/Arne Mattsson)
  149. Her Vengeance (1988/92m/Ngai Choi Lam)
  150. Doctor Hackenstein (1988/88m/Richard Clark)
  151. Curse of the Blue Lights (1988/104m/John Henry Johnson)
  152. Vampire at Midnight (1988/93m/Gregory McClatchy)
  153. Vampires on Bikini Beach (1988 Video/80m/Mark Headley)
  154. The Chair (1988/100m/Waldemar Korzeniowsky)
  155. Zombie Brigade (1988/92m/Carmelo Musca and Barrie Pattison)
  156. Diamond Ninja Force (1988/PG-13/92m/Godfrey Ho)
  157. Pulse Pounders (1988/77m/Charles Band)
  158. Graveyard Shift II (1988/90m/Jerry Ciccoritti)
  159. Terror Squad (1988/92m/Peter Maris)
  160. Judgement Day (1988/PG-13/93m/Ferde Grofé Jr.)
  161. Stones of Death (1988/88m/James Bogle)
  162. Chôjin densetsu 2: Chôjin jusatsu hen (1988 Video/60m/Hideki Takayama)
  163. Night Wars (1988/88m/David A. Prior)
  164. The Stick (1988/90m/Darrell Roodt)
  165. Teen Vamp (1988/85m/Samuel Bradford)
  166. Dawn of an Evil Millennium (1988/20m/Damon Packard)
  167. Hollywood's New Blood (1988/77m/James Shyman)
  168. The Boy from Hell (1988/90m/Deryn Warren)
  169. Evil Altar (1988/90m/James Winburn)
  170. Thunder of Gigantic Serpent (1988/87m/Godfrey Ho)
  171. Scorpion Thunderbolt (1988/85m/Godfrey Ho)
  172. The Dreaming (1988/87m/Mario Andreacchio)
  173. Death Nurse 2 (1988 Video/56m/Nick Millard)
  174. Mama (1988/12m/Pablo Berger)
  175. The Haunted Cop Shop II (1988/92m/Jeffrey Lau)
  176. Blood Delirium (1988/90m/Sergio Bergonzelli)
  177. Demon Warrior (1988/85m/Frank Patterson)
  178. Perfect Victims (1988/90m/Shuki Levy)
  179. Pathos - Segreta inquietudine (1988/89m/Piccio Raffanini)
  180. Dead of Night (1988/95m/Deryn Warren)
  181. Hard Rock Nightmare (1988/87m/Dominick Brascia)
  182. Death Row Diner (1988/68m)
  183. Predator: The Quietus (1988/91m/Leslie McCarthy)
  184. The American Scream (1988/85m/Mitchell Linden)
  185. The Infernal Rapist (1988/83m/Damián Acosta Esparza)
  186. Gui meng jiao (1988/95m/Sammo Kam-Bo Hung and Wei Don Lo)
  187. Hellbent (1988/88m/Richard Casey)
  188. Guinea Pig Special 3 (1988 Video/73m)
  189. Phantom Brother (1988/92m/ William Szarka)
  190. Trapped Alive (1988/92m/Leszek Burzynski)
  191. The Vampire Raiders (1988/86m/Godfrey Ho)
  192. Fresh Kill (1988/86m/Joseph Merhi)
  193. Vampire Knights (1988/90m/Daniel Peterson)
  194. Night Feeder (1988 Video/90m/Jim Whiteaker)
  195. Chu nu jiang (1988/85m/Yeung Kong)
  196. The Brainsucker (1988/Herb Robins)
  197. Phantom of the Ritz (1988/88m/Allen Plone)
  198. Alguien te está mirando (1988/84m/Gustavo Cova and Horacio Maldonado)
  199. Kumander Bawang (1988/105m/Ramje)
  200. Captives (1988/84m/Gary P. Cohen)
  201. Kamen Raidâ Burakku: Onigajima he kyûkô seyo! (1988)
  202. Abunômaru: Ingyaku (1988/64m/Hisayasu Satô)
  203. Hako no naka no onna II (1988/73m/Masaru Konuma)
  204. The Hackers (1988 Video/80m/John Duncan)
  205. Kamen Rider Black: Terrifying! The Phantom House of Devil Pass (1988)
  206. Chuang xie xian sheng (1988/92m/Jing Wong)
  207. Chainsaw Scumfuck (1988 Video/7m/Alex Chandon)
  208. Almohadón de plumas (1988/Ricardo Islas)
  209. My Lovely Burnt Brother and His Squashed Brain (1988 Video/52m/Giovanni Arduino and Andrea Lioy)
  210. Twisted Issues (1988 Video/Charles Pinion)
  211. Pánico en la montaña (1988/90m/Pedro Galindo III)
  212. Lolita chijoku (1988/62m/Hisayasu Satô)
  213. Streets of Death (1988 Video/93m/Jeff Hathcock)
  214. Half Past Midnight (1988 Video/32m/Wim Vink)
  215. Woh Phir Aayegi (1988/B.R. Ishara)
  216. The Shaman (1988/88m/Michael Yakub)
  217. Brothers from Hell (1988 Video/115m/Todd Sheets)
  218. Salt, Saliva, Sperm and Sweat (1988/47m/Philip Brophy)
  219. Crack Dog (1988/5m/Casey Kehoe)
  220. La noche de la bestia (1988/80m/Gilberto de Anda)
  221. Tiyanak (1988/Peque Gallaga and Lore Reyes)
  222. Under the Bed (1988/90m/Colin Finbow)
  223. Ban xian jiang (1988/88m/Kang-Yu Tu)
  224. The White Alligator (1988/95m/H. Tjut Djalil)
  225. Kabrastan (1988/135m/Mohan Bhakri)
  226. The Devil's Friends (1988/Ahmed Yassine)
  227. Nightslave (1988/76m/John H. Parr)
  228. Black Vampire (1988/90m/Lawrence Jordan)
  229. Monsters & Maniacs (1988 Video/110m/Ted Newsom)
  230. Aad liyantaqim (1988/105m/Yassin Ismail Yassin)
  231. Hai zi wang (1988/93m/Chun-Liang Chen and Yang Ming Tsai)
  232. Satan Place: A Soap Opera from Hell (1988 Video/67m/Scott Aschbrenner and Alfred Ramirez)
  233. TerrorVision (1988–1989/10m)
  234. Hiwaga sa Balete Drive (1988/Peque Gallaga and Lore Reyes)
  235. La septième dimension (1988/90m/Olivier Bourbeillon, Manuel Boursinhac, Laurent Dussaux, Benoît Ferreux, Stéphan Holmes and Peter Winfield)
  236. Gekitotsu! Kyonshi kozo shijo saikyo no kanfu akuma gundan (1988/90m/Chia-Hui Liu)
  237. Santet (1988/Sisworo Gautama Putra)
  238. Jiang shi zhuo yao (1988/Ricky Lau)
  239. The Raven (1988/20m/Bart Aikens and Scott Allen Nollen)
  240. Door (1988/95m/Banmei Takahashi)
  241. Negatives (1988/Tony Smith)
  242. Father's Day (1988Dean Crow)
  243. Because the Dawn (1988/40m/Amy Goldstein)
  244. Samyuktha (1988/126m/Chandrashekar Sharma)
  245. The Garden of Blood (1988/74m/Ashraf Fahmy)
  246. Eob (1988/105m/Doo-yong Lee)
  247. Un paso al más aca (1988/90m/Gilberto de Anda)
  248. Night Creatures (1988 Video/60m/John Astin and A.D. Oppenheim)
  249. Ling huan xiao jie (1988/Hark-On Fung)
  250. Grampa's Monster Movies (1988 Video/65m/Peter Zasuly)
  251. Youjo densetsu '88 (1988/104m/Noboru Tanaka)
  252. Mong gwai yee yuen (1988/Kang-Yu Tu)
1989
  1. Pet Sematary (1989/103m/Mary Lambert)
  2. A Nightmare on Elm Street 5: The Dream Child (1989/89m/Stephen Hopkins)
  3. Dead Calm (1989/96m/Phillip Noyce)
  4. Halloween 5: The Revenge of Michael Myers (1989/96m/Dominique Othenin-Girard)
  5. Friday the 13th Part VIII: Jason Takes Manhattan (1989/100 m)
  6. The Fly II (1989/105m/Chris Walas)
  7. Tetsuo, the Iron Man (1989/67m/Shin'ya Tsukamoto)
  8. Santa Sangre (1989/NC-17/123m/Alejandro Jodorowsky)
  9. Leviathan (1989/98m/George P. Cosmatos)
  10. Warlock (1989/103m/Steve Miner)
  11. Shocker (1989/109m/Wes Craven)
  12. Bride of Re-Animator (1989/96m/Brian Yuzna)
  13. Society (1989/99m/Brian Yuzna)
  14. DeepStar Six (1989/99m/Sean S. Cunningham)
  15. Puppetmaster (1989 Video/90m/David Schmoeller)
  16. Intruder (1989/83m/Scott Spiegel)
  17. Sleepaway Camp III: Teenage Wasteland (1989/80m/Michael A. Simpson)
  18. The Church (1989/102m/Michele Soavi)
  19. The Toxic Avenger Part II (1989/102m/Michael Herz and Lloyd Kaufman)
  20. Parents (1989/81m/Bob Balaban)
  21. Communion (1989/107m/Philippe Mora)
  22. Clownhouse (1989/81m/Victor Salva)
  23. The Toxic Avenger Part III: The Last Temptation of Toxie (1989/102m/Michael Herz and Lloyd Kaufman)
  24. Cutting Class (1989/91m/Rospo Pallenberg)
  25. The Return of Swamp Thing (1989/PG-13/Jim Wynorski)
  26. The Phantom of the Opera (1989/93m/Dwight H. Little)
  27. Stepfather II (1989/93m/Jeff Burr)
  28. The Horror Show (1989/95m/James Isaac and David Blyth)
  29. C.H.U.D. II: Bud The C.H.U.D. (1989/84m/David Irving)
  30. Redneck Zombies (1989/84m/Pericles Lewnes)
  31. The Dead Next Door (1989/78m/J.R. Bookwalter)
  32. Moontrap (1989/92m/Robert Dyke)
  33. I, Madman (1989/89m/Tibor Takács)
  34. Cannibal Women in the Avocado Jungle of Death (1989/PG-13/90m/J.F. Lawton)
  35. Howling V: The Rebirth (1989/96m/Neal Sundstrom)
  36. Sundown: The Vampire in Retreat (1989/104m/Anthony Hickox)
  37. Zombie 4: After Death (1989/84m/Claudio Fragasso)
  38. Chopper Chicks in Zombietown (1989/86m/Dan Hoskins)
  39. Baxter (1989/82m/Jérôme Boivin)
  40. The Dead Pit (1989/95m/Brett Leonard)
  41. Silent Night, Deadly Night 3: Better Watch Out! (1989 Video/90m/Monte Hellman)
  42. Death Spa (1989/88m/Michael Fischa)
  43. After Midnight (1989/90m/Jim Wheat and Ken Wheat)
  44. Hisss (2010/98m/Jennifer Lynch)
  45. Lady Terminator (1989/82m/H. Tjut Djalil)
  46. Hellgate (1989/91m/William A. Levey)
  47. Lisa (1989/PG-13/95m/Gary Sherman)
  48. Edge of Sanity (1989/85m/Gérard Kikoïne)
  49. The Terror Within (1989/88m/Thierry Notz)
  50. Black Rainbow (1989/103m/Mike Hodges)
  51. Flora (1989/1m/Jan Švankmajer)
  52. Food of the Gods II (1989/91/Damian Lee)
  53. Elves (1989/PG-13/89m/Jeffrey Mandel)
  54. Curse II: The Bite (1989/98m/Frederico Prosperi)
  55. Guinea Pig: Android of Notre Dame (1989 Video/51m/Kazuhito Kuramoto)
  56. Beware: Children at Play (1989/94m/Mik Cribben)
  57. Nightmare Beach (1989/90m/James Justice and Umberto Lenzi)
  58. Shocking Dark (1989/90m/Bruno Mattei)
  59. Kitchen Sink (1989/14m/Alison Maclean)
  60. Psycho Cop (1989/87m/Wallace Potts)
  61. Dr. Caligari (1989/80m/Stephen Sayadian)
  62. Violent Shit (1989/75m/Andreas Schnaas)
  63. My Mom's a Werewolf (1989/PG/90m/Michael Fischa)
  64. Luther the Geek (1989/80m/Carlton J. Albright)
  65. Memorial Valley Massacre (1989/93m/Robert C. Hughes)
  66. Killer Crocodile (1989/90m/Fabrizio De Angelis)
  67. Things (1989 Video/83m/Andrew Jordan)
  68. Game Over (1989/87m/René Manzor)
  69. Phantom of the Mall: Eric's Revenge (1989/91m/Richard Friedman)
  70. Offerings (1989/95m/Christopher Reynolds)
  71. Celia (1989/103m/Ann Turner)
  72. Buried Alive (1989/87m/Gérard Kikoïne)
  73. Black Past (1989 Video/85m/Olaf Ittenbach)
  74. Hell High (1989/84m/Douglas Grossman)
  75. Meet the Hollowheads (1989/PG-13/86m/Thomas R. Burman)
  76. Beyond the Door III (1989/94m/Jeff Kwitny)
  77. Night Life (1989/89m/David Acomba)
  78. Witchtrap (1989/92m/Kevin Tenney)
  79. Girlfriend from Hell (1989/92m/Daniel Peterson)
  80. Lobster Man from Mars (1989/PG/82m/Stanley Sheff)
  81. Dead Dudes in the House (1989/95m/James Riffel)
  82. Monster High (1989/84m/Rudy Poe)
  83. The House of Usher (1989/92m/Alan Birkinshaw)
  84. The Vineyard (1989/95m/James Hong and William Rice)
  85. Beverly Hills Vamp (1989/88m/Fred Olen Ray)
  86. Dark Tower (1989/91m/Freddie Francis and Ken Wiederhorn)
  87. Sweet Home (1989/100m/Kiyoshi Kurosawa)
  88. Alien from the Deep (1989/90m/Antonio Margheriti)
  89. U.F.O. Abduction (1989 Video/66m/Dean Alioto)
  90. Blades (1989/101m/Thomas R. Rondinella)
  91. The Chilling (1989/90m/Deland Nuse and Jack A. Sunseri)
  92. Night Visitor (1989/93m/Rupert Hitzig)
  93. Laurin (1989/84m/Robert Sigl)
  94. Paganini Horror (1989/82m/Luigi Cozzi)
  95. Nightwish (1989/96m/Bruce R. Cook)
  96. The Cellar (1989/PG-13/85m/Kevin Tenney)
  97. Witchcraft II: The Temptress (1989 Video/88m/Mark Woods)
  98. Demons 6: De Profundis (1989/89m/Luigi Cozzi)
  99. The Forgotten One (1989/100m/Phillip Badger)
  100. Stuff Stephanie in the Incinerator (1989/PG-13/98m/Don Nardo)
  101. Dance of the Damned (1989/82m/Katt Shea)
  102. Yi mei dao ren (1989/86m/Ching-Ying Lam)
  103. Gui yao gui (1989/100m/Ricky Lau)
  104. Vampiri su medju nama (1989/90m/Zoran Calic)
  105. Masque of the Red Death (1989/85m/Larry Brand)
  106. Xiong zai mei ren tou (1989/Yichuan Liu)
  107. Secta satánica: el enviado del señor (1989/89m/Arturo Martínez)
  108. Mirage (1989/84m/Bill Crain)
  109. Moonstalker (1989/92m/Michael S. O'Rourke)
  110. Robot Ninja (1989/82m/J.R. Bookwalter)
  111. Murder Weapon (1989/90m/David DeCoteau)
  112. Beyond Dream's Door (1989/80m/Jay Woelfel)
  113. Night Shadow (1989/91m/Randolph Cohlan)
  114. Unmasked Part 25 (1989/85m/ Anders Palm)
  115. Dark Heritage (1989/94m/David McCormick)
  116. The Laughing Dead (1989/103m/Somtow Sucharitkul)
  117. Grave Robbers (1989/87m/Rubén Galindo Jr.)
  118. Satan's Princess (1989/90m/Bert I. Gordon)
  119. Houseboat Horror (1989 Video/85m/Kendal Flanagan and Ollie Martin)
  120. Maya (1989/100m/Marcello Avallone)
  121. The Masque of the Red Death (1989/89m/Alan Birkinshaw)
  122. The Hell's Gate (1989/90m/Umberto Lenzi)
  123. Chôjin densetsu 3: Kanketsu jigoku hen (1989 Video/48m/Hideki Takayama)
  124. Las Vegas Bloodbath (1989 Video/78m/David Schwartz)
  125. Massacre (1989/89m/Andrea Bianchi)
  126. Grave Secrets (1989/90m/Donald P. Borchers)
  127. Alien Space Avenger (1989/80m/Richard W. Haines)
  128. The Evil Below (1989/92m/Jean-Claude Dubois and Wayne Crawford)
  129. Zombie Rampage (1989 Video/89m/Todd Sheets)
  130. Purani Haveli (1989/139m/Shyam Ramsay and Tulsi Ramsay)
  131. Paint It Black (1989/104m/Tim Hunter and Roger Holzberg)
  132. Adio, Rio (1989/88m/Ivan Andonov)
  133. Freakshow (1989/97m/Constantino Magnatta)
  134. The Resurrection of Michael Myers Part 2 (1989 Video/25m/Richard Holm and Henrik Wadling)
  135. Hell's Trap (1989/90m/Pedro Galindo III)
  136. Superstition 2 (1989/93m/Alessandro Capone)
  137. Mutator (1989/91m/John R. Bowey)
  138. Bloody Psycho (1989/90m/Leandro Lucchetti)
  139. The Freeway Maniac (1989/95m/Paul Winters)
  140. Return of the Family Man (1989/88m/John Murlowski)
  141. Terror Eyes (1989/90m/Eric Parkinson, Michael Rissi and Steve Sommers)
  142. B.O.R.N. (1989/92m/Ross Hagen)
  143. Darkroom (1989/93m/Terrence O'Hara and Nico Mastorakis)
  144. The Jitters (1989/80m/John Fasano)
  145. American risciò (1989/93m/Sergio Martino)
  146. Muscle (1989/60m/Hisayasu Satô)
  147. Vacations of Terror 2 (1989/86m/Pedro Galindo III)
  148. An le zhan chang (1989/96m/Eric Tsang)
  149. Bees Saal Baad (1989/141m/Rajkumar Kohli)
  150. Sexbomb (1989/86m/Jeff Broadstreet)
  151. Bloodbath in Psycho Town (1989/87m/Alessandro De Gaetano)
  152. Operation Pink Squad II (1989/93m/Jeffrey Lau)
  153. The 29th Night (1989/119m/Hamid Rakhshani)
  154. Criminal Act (1989/93m/Mark Byers)
  155. Out of the Body (1989/88m/Brian Trenchard-Smith)
  156. The Basement (1989/79m/Timothy O'Rawe)
  157. Blue Vengeance (1989/90m/J. Christian Ingvordsen and Danny Kuchuck)
  158. Heartstopper (1989/90m/John A. Russo)
  159. Sounds of Silence (1989/108m/Peter Borg)
  160. The Weirdo (1989/91m/Andy Milligan)
  161. Uncle Cyril (1989/107m/Jirí Svoboda)
  162. Cold Light of Day (1989/81m/ Fhiona-Louise)
  163. Sukkubus - den Teufel im Leib (1989/80m/Georg Tressler) 87
  164. La luna negra (1989/90m/Imanol Uribe)
  165. The Magic Portal (1989/16m/Lindsay Fleay)
  166. Blood Nasty (1989/80m/Richard Gabai and Robert Strauss)
  167. Angel: Black Angel (1989/86m/Stelvio Massi)
  168. Murder in Law (1989 Video/94m/Tony Jiti Gill)
  169. Krvopijci (1989/86m/Dejan Sorak)
  170. Fright House (1989 Video/110m/Len Anthony)
  171. Speak of the Devil (1989/99m/Raphael Nussbaum)
  172. Family Reunion (1989/84m/Michael Hawes)
  173. Electric Kotatsu Horror (1989/93m/Jôji Iida)
  174. Teito taisen (1989/Takashige Ichise)
  175. Zhuo gui da shi (1989/93m/Norman Law Man and Stanley Wing Siu)
  176. Fatal Exposure (1989/83m/Peter B. Good)
  177. Surgikill (1989/88m/Andy Milligan)
  178. The Vampire Is Still Alive (1989/90m/Godfrey Ho)
  179. Satanic Attraction (1989/102m/Fauzi Mansur)
  180. Terrifying Tales (1989 Video/Paul Bunnell, Armand Garabidian and Ephraim Schwartz)
  181. Ginseng King (1989/85m/Ru-Tar Rotar and Chu-Chin Wang)
  182. The Urge to Kill (1989/82m/Derek Ford)
  183. Night Terror (1989/91m/Paul Howard and Michael Weaver)
  184. Scream Dream (1989 Video/69m/Donald Farmer)
  185. The Bloody Video Horror That Made Me Puke on My Aunt Gertrude (1989 Video/83m/John Bacchus)
  186. Enemy Unseen (1989/90m/lmo de Witt)
  187. Ang babaeng nawawala sa sarili (1989/Eddie Rodriguez)
  188. Death Doll (1989/82m/William Mims)
  189. Corridor (1989/7m/Alain Robak)
  190. The Final Judgement (1989/93m/Otto Chan)
  191. Relatos de la medianoche (1989/21m/Santiago Segura)
  192. Huo zhu gui (1989/90m/Wu Ma)
  193. Qiu ai ye jing hun (1989/Yi Ching Fung)
  194. The Bloody Monks (1989/75m/Glenn Gebhard)
  195. Valentina (1989/Santiago Garcia)
  196. Heavy Metal Massacre (1989/83m/Steven DeFalco and Ron Ottaviano)
  197. Luna di sangue (1989/95m/Enzo Milioni)
  198. Jogakusei: harakiri (1989 Video/45m)
  199. Onna harakiri: sange (1989 Video/45m)
  200. Rock-A-Die Baby (1989/Bob Cook)
  201. Gui gou ren (1989/92m/Sze Yu Lau and Jing Wong)
  202. Out of Town (1989/Norman Hull)
  203. Los placeres ocultos (1989/90m/René Cardona Jr.)
  204. Hentai byôtô: SM shinryo-shitsu (1989/55m/Hisayasu Satô)
  205. Khooni Murdaa (1989/127m/Mohan Bhakri)
  206. Alchemik (1989/117m/Jacek Koprowicz)
  207. Time Burst: The Final Alliance (1989/93m/Peter Yuval)
  208. Meng gui zhuang gui (1989/100m/Cheung-Yan Yuen)
  209. Idu Saadhya (1989/Dinesh Babu)
  210. Young-gu and Daengchili (1989/97m/Ki-nam Nam)
  211. Curse of the Zombie (1989/78m/Hao Li)
  212. Banned (1989/Roberta Findlay)
  213. Vegetables (1989 Video/90m/Laura Lovelace)
  214. Xie luo ji (1989/92m/Yuen Ching Lee)
  215. Pieces of Darkness (1989 Video/74m/George Bonilla and J. Johnson Jr. III)
  216. Todesvisionen - Geisterstunde (1989 Video/93m/Susanne Aernicke, Dirk Eickhoff, Pascal Hoffmann and Volker Morlock)
  217. Empire of Madness (1989 Video/86m/M. Dixon Causey)
  218. Deathwalkers (1989/85m/Joe Ford)
  219. Hua gui you xian gong si (1989/94m/Sze Yu Lau)
  220. Labirynt (1989/74m/Andrzej Stefan Kaluszko)
  221. Gun's Eye (1989/96m/Paul I. Clear and Jerry Koch)
  222. Marley's Revenge: The Monster Movie (1989/83m/Jet Eller)
  223. Hei lou gu hun (1989/86m/Ming Liang and Deyuan Mu)
  224. Blind Faith (1989/Dean Wilson)
  225. Power Games (1989/84m/Mychel Arsenault)
  226. Ghost Ballroom (1989/Wilson Tong)
  227. Nache Nagin Gali Gali (1989/Mohanji Prasad)
  228. Sleepover Massacre (1989/Gary Whitson)
  229. El vampiro teporocho (1989/Rafael Villaseñor Kuri)
  230. Nalaya Manithan (1989/107m/Velu Prabhakaran)
  231. Nightmare (1989/95m/Mohammed Shebl)
  232. Dear Diary (1989/103m/Lupita Aquino-Kashiwahara and Leroy Salvador)
  233. Impaktita (1989/Teddy Page)
  234. Working Stiffs (1989 Video/61m/Michael Legge)
  235. Ang mahiwagang daigdig ni Elias Paniki (1989/Carlo J. Caparas)
  236. Zombie Party (1989 Video/12m/Rodd Matsui, Samuel Oldham and Scott Tanaga)
  237. Mind Trap (1989/90m/Eames Demetrios)
  238. Child of the Sabbat (1989 Video/59m/Louis Ferriol)
  239. El anticristo 2 (Magic London) (1989/80m/Germán Monzó)
  240. Meng gui shan fen (1989/93m/James Yi Lui)
  241. Horrorama (1989/60m/Scarlet Fry)
  242. Wanita harimau (1989/Sisworo Gautama Putra)
  243. Cita con la muerte (1989/85m)
  244. Hasta que la muerte nos separe (1989/90m/Ramón Obón)
  245. Heaven Becomes Hell (1989/99m/Harbance Kumar)
  246. Wohi Bhayanak Raat (1989/Vinod Talwar)
  247. Nishi Trishna (1989/108m/Parimal Bhattacharya)
  248. Dead Silence (1989/62m/Hugh Gallagher)
  249. Kageki honban: Midareru (1989/54m/Sachi Hamano)
  250. Anak ng demonyo (1989/Mauro Gia Samonte)
  251. Pánico en el bosque (1989/84m/Roberto 'Flaco' Guzmán)
  252. Huwag kang hahalik sa diablo (1989/Mauro Gia Samonte)
  253. Si Baleleng at ang gintong sirena (1989/Chito S. Roño)
  254. El teatro del horror (1989/80m/Pedro Galindo III)
  255. Scorpion (1989/106m)
  256. The Aliens and Kong Kong Zombie (1989/80m/Seung-ho Ahn)
  257. Faces of Horror (1989 Video/Tenshu Monogatari)
  258. Ade Raaga Ade Haadu (1989/159m)
  259. Sau Saal Baad (1989/Mohan Bhakri)
  260. Let's Chop Soo-E (1989/7m/Eric Pigors)
  261. Meng gui jia ren (1989/82m/Wen Hua)
  262. Spirit Love (1989/85m/Shan-Hsi Ting)
  263. Baan phi pop (1989/90m/Saiyon Srisawat)
  264. Moonchild (1989/Michael J. Murphy)
  265. Horror Rock (1989 Video/40m/Paul McCollough)
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2017.08.09 18:34 autotldr Book of the boy of Acre: what are the teachings of Bruno Borges in 'TAC: Theory of Absorption of Knowledge'? -- The young man disappeared in March [2017] and left manuscripts that began to be published. Work reached the ranking of the most sold in Brazil

This is the best tl;dr I could make, original reduced by 80%. (I'm a bot)
Bruno Borges não gosta de deixar dúvidas: escreve que o título de "TAC" formado pelas iniciais de "Teoria da Absorção do Conhecimento" - só para o caso de algum leitor menos perspicaz não ter notado, nunca se sabe.
Daí que essa gente toda "Evitaria de comer coisas que são fonte de prazer para muitos, e que o maior responsável pelo vício, pela gula na comida: o apreço pela carne e seus derivados temperados, fazendo com que os assexuados veganos aumentem ainda sua taxa de absorção de conhecimento".
Bruno Borges não só defende que adeptos da TAC sejam radicais como orgulha-se da invenção de um neologismo: "Nós, radicalistas e adeptos do radicalismo, determinamos que só se pode ser um membro da radicalidade".
Rola até uma ameaça, num raro confronto menos educado com o leitor: "Caso sinta-se distraído ou ache uma tarefa enfadonha estudá-las, o que obviamente não passa de 2 laudas, seria útil pedir-lhe somente mais um favor: cerre este livro de uma vez e senta-te sobre o gramado, escancare a tua boca cheia de dentes e espere a morte chegar. Talvez consigas, de praxe, observar um disco voador sobre o céu, se tiveres sorte, caso não, apenas permaneça como está".
O primeiro comentário este: "E o calamitoso Hitler, conseguiria ele colocar em prática todos os seus sonhos incluídos em seu livro 'Minha luta', escrito quando preso, em isolamento, se ele não tivesse feito uso de praticamente todos os itens aqui neste estudo, pelo qual não coloquei seu nome em nenhuma categoria para não inflamar o ódio sobre leitores que não aceitariam que ele fosse visto como sábio".
Borges cita uma passagem de "O carisma de Adolf Hitler", de Laurence Rees, na qual "Seus companheiros achavam estranho que ele nunca quisesse tomar uns tragos ou fazer sexo com uma prostituta, passando o tempo livre lendo ou desenhando, ou eventualmente discursando para quem estivesse por perto sobre algum assunto de que gostasse, estranho que parecesse não ter amigos ou familiares e, consequentemente, fosse um homem decidido a ser só". 9.
Summary Source FAQ Feedback Top keywords: que#1 no#2 uma#3 para#4 Borges#5
Post found in /offbeat, /conspiracy and /brasil.
NOTICE: This thread is for discussing the submission topic. Please do not discuss the concept of the autotldr bot here.
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2017.03.19 02:11 LANA_WHAT_DangerZone Navy Seal copypasta that went through google translate a few too many times

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2016.11.24 00:47 Mrtravieso My Top Spanish Music - (Language, Not Country)

So I was trying to optimize my time in the car and gym. I tried podcasts for a while but found it hard to enjoy them because of all the starting and stopping on short drives or quick gym sessions. Thus I turned to music to hone my language skills. It took me a while to find the artists and types of music that I like and can listen to consistently but almost two years after I started I am constantly listening to it now. I follow several artists that I really enjoy on social media and I learn about other artists through them. Also Apple Music has intuited my desire for Spanish(language, not country) music and occasionally gives me good suggestions.
So, I have to preface this list with a few of my English (language, not country) music preferences. I feel like a lot of the Spanish (language, not country) artists are very similar in style to the English (language, not country) artists that I listen to. So if you start reading and you throw up in your mouth a little when I mention the English (language, not country) artists that I like, you are most likely not going to like the Spanish (language, not country) artists that I mention either. If you are, in fact, tempted to disgorge when reading this list please remember that preference of music is a personal taste and it is not necessary to tell everyone what a horrible person I am in the comments. I already know I am a horrible person and it has nothing to do with music.
Some examples of my preference for English (language, not country) musical artists in alphabetical order (pulled at random from my phone): Arctic Monkeys, Chance the Rapper, Childish Gambino, Drake, Frank Ocean, James Blake, John Legend, JPNSGRLS, Kanye West, Kendrick Lamar, Midlake, Muse, Partynextdoor, Rick Ross, Rihanna, Robin Thicke, Sam Smith, Ty Dolla $ign
Also keep in mind that in my English (language, not country) music I tend to be more conscious of the content of the lyrics and I won’t really listen to songs that I don’t agree with or relate to even if they are catchy. In Spanish (language, not country) music I still do this to a certain degree but of course I don’t understand everything they say so I have to put more emphasis on whether I like the musical aspects of the song or not.
Ok, enough explanation and self conscious validation. Here are my Top Spanish (language, not country) songs broken up by rough genre (so if you don’t like a particular genre you can skip it). The names of the songs are all youtube links.
-
Alternative
Por Amar a Ciegas - Arcangel
California on fire - Las Armas - Punk. I don’t listen to a lot of punk but sometimes a song will get me. Similar to JPNSGRLS.
Dime - Ruzzi - Trancey type song. They don’t have a lot of stuff out but I like it.
Bachata
Eres Mía - Romeo Santos - Super creepy video of him stalking someone but iconic bachata
Odio - Romeo Santos ft. Drake - Ever wanted to hear Drake sing in Spanish? I thought this was a fun one.
Darte un Beso - Prince Royce
Pop This is kind of just my throw away category of things I don’t know where to put.
Leal - Buuoy ft. Osuna - Kinda rappy
Que Raro - Feid, J Balvin
Primera Cita - J Balvin
Traicionera - Sebastian Yatra
Como Mirarte - Sebastian Yatra
Me Llamas - Piso 21 - A bit of a reggaeton beat but seemed to fit here better.
Rap and stuff like it
Flow Asesino - Fuego
Diferente - Fuego
Revolucionario - Xantos
Ora Por Mí - Daddy Yankee
35 pa las 12 - Fuego, J Balvin - Probably my favorite artists collaborating on my favorite song ever. Definitely has the most plays on my phone hands down.
Veneno - J Balvin
La Fruta Prohibida - Justin Quiles
Amor Juvenil - Mike Towers
Dinero en Mano - Mike Towers
Reggaeton
Ella y Yo - Romeo Santos and Don Omar
Corazón Acelerao - Wisin - I find Wisin’s rapping voice super annoying but some of his songs I can listen to consistently.
6 AM - J Balvin ft. Farruko
Si Ella Quisiera - Justin Quiles - Dance music spin on the reggaeton beat.
Confusión - Justin Quiles
Corazón de Seda - Osuna
El Perdón - Nicky Jam, Enrique Iglesias
If you liked a lot of these songs then we probably have similar musical taste and I would love to hear of artists you listen to that I may not have heard of before!
Edit: formatting, switched Ella y Yo from Bachata to Reggaeton.
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2014.10.23 14:46 FlatlinerX List of CIV:BE reviews and scores

Here's a list of Civilization: Beyond Earth reviews I've found so far. Please let me know if you find any th/at aren't listed and I will add them.
Text reviews
Review Score Conclusion
PCGamer 87/100 "Although its foundation in Civ 5 makes it familiar, Beyond Earth is full of interesting surprises that are pleasantly difficult to master."
Gameranx 10/10 -
IGN 7.9/10 "Beyond Earth is nowhere near the strongest game in the more than 20-year-old Civilization series, but this big collection of interesting experimental ideas definitely still kept me playing long after I should’ve gone to bed. The Affinities and streamlined military upgrade system, and a colorful change of scenery make it worth the time to figure out the difference between Protogenetics and Surrogacy, and suffering through temperamental alien wildlife."
Polygon 9/10 "Civilization: Beyond Earth successfully injects new life into Sid Meier's long-running strategy series"
PC Games (german) 87/100 "Das modernisierte Civ-Konzept geht gut auf und bietet reichlich Spielspaß. Veteranen der Reihe seien jedoch gleich die hohen Schwierigkeitsgrade empfohlen, da die KI erst dann fordernd wird. An Genreprimus Civilization 5 kommt Beyond Earth jedoch nicht heran, bietet aber eine hübsche Science-Fiction-Alternative mit leichterem Einstieg."
Golem (german) no score "Wir werden Beyond Earth eine sehr lange Zeit über den Test hinaus spielen. Sid Meiers zweites extraterrestrisches Aufbauspiel ist insgesamt eine äußerst runde Angelegenheit und weckt die Neugier bei Civ-Neulingen wie -Veteranen gleichermaßen"
Joystiq 4/5 "Civilization: Beyond Earth is a good game in the context of the Civilization franchise. It moves to the interesting mechanics faster than any entry in the series to date and everything within the game world looks great. A lot of time went into making the new planet pop visually, if only so much care had gone into the presentation around it."
Pressfire (norwegian) 6/6 "«Beyond Earth» tar jevnt over det beste med «Civilization V» og utvikler det litte grann videre, samtidig som det utspiller seg i et miljø som har en litt annen appell enn den tradisjonelle historiske. Anbefales på det varmeste for de som liker «Civilization»-serien for dens spillmekanikk, men som kanskje tidligere ikke har vært helt solgt på settingen."
PC World 4.5/5 "The space-themed Beyond Earth is polished, deep, and addictive—what more could you want from a Civilization game?"
Gamesradar: 4/5 4/5 "Civilization: Beyond Earth may seem a bit too familiar for a game supposedly set on a distant planet, but the roving packs of aliens and the new quest system make it an expedition worth embarking on."
Escapist Magazine 3/5 Bottom Line: An overall solid turn-based strategy game that suffers from information overload resulting in analysis paralysis for the player, Beyond Earth has a few really interesting systems but ultimately doesn't transcend those mechanics into something unique or awe-inspiring. Recommendation: Civ fans will enjoy the sci-fi aesthetic and new features, but Beyond Earth is far from a classic.
Destructoid 9/10 "Superb: A hallmark of excellence. There may be flaws, but they are negligible and won't cause massive damage to what is a supreme title."
Videogamer 8/10 -
Gamer (dutch) 8.5/10 " Sid Meier’s Civilization: Beyond Earth vertaalt de geprezen Civ-formule met verve naar een sci-fi setting. De geweldige vrijheid die je krijgt om de toekomst van de mensheid te vormen maakt elk potje onvoorspelbaar en spannend, maar de potentie wordt niet volledig benut door foutjes in de besturing en onhandig gepresenteerde Wonders."
Eurogamer 8/10 -
Gamereactor 9/10 "I can't remember when I last enjoyed a Civilization game as much as I have enjoyed Beyond Earth. I'm itching to jump on it again, raise the difficulty a notch or two, and see how fast my plans go down the toilet as I try to mount a panic-stricken comeback. It's an excellent strategy game, and despite minor problems it deserves a warm recommendation."
Shacknews 7/10 "Despite its faults, Civilization: Beyond Earth does fulfill its promise to take you to a distant world, where you'll find exotic alien life, meet future leaders of mankind... and conquer them."
Metro 8/10 "An excellent spin-off that uses the science fiction setting to focus and expand the gameplay in interesting new ways, and yet remains as accessible and thoughtful as ever."
HardcoreGamer 4.5/5 "It must be an interesting challenge for developers of a series so focused on history to tackle questions of humanity’s future. Obviously both subjects tap into many of the same sources, but where most Civilization games explore who we are, Beyond Earth systemizes who we could be. This is a work of speculative fiction that allows the player to speculate for themselves, starting from a similar place each time but potentially reaching vastly different conclusions. It’s also a tightly-designed, well-balanced 4X game that is sure to consume many gamers’ free time in the coming months and years. That’s one bit of speculation I’m confident in."
The Verge - "Just one more turn."
MeriStation (spanish) 8.5/10 "Civilization: Beyond Earth supone un nuevo soplo de aire fresco para la saga, aunque para ello haya tenido que alejarse años luz de su escenario original. Un título que ofrece una sustanciosa variedad de opciones, y en el que dos partidas no serán iguales. Aunque necesita una serie mejora en su inteligencia artificial, nos encontramos ante un título que nos dará muchísimas horas de diversión, solos o acompañados de nuestros amigos. Si eres un amante de los 4X, tienes una cita obligada para colonizar un nuevo mundo."
Vandal (spanish) 9/10 "Un gran salto para Civilization, decenas de pequeñas decisiones para el jugador."
Eurogamer (spanish) 8/10 -
3dJuegos (spanish) 8.5/10 "Beyond Earth no sólo expande los horizontes de Civilization, sino que nos devuelve a una colonización galáctica que no disfrutábamos con Firaxis desde 1999. Sólo un empujón de novedades para diferenciarse más de la entrega de 2010 y una cierta sensación de falta de posibilidades en aspectos como la tecnología, entre otros, le han impedido consolidarse como un título incluso superior. ¿Por lo demás? Todo buenas noticias."
Video reviews
Review Score
ProJared 8/10
Totalbiscuit -
Gametrailers 8.7/10
Benchmarks
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2011.05.15 20:43 johnnyzuri ALMERIA - ZURIRED. Ofertas de ocio y consejos de viaje.

PROXIMAMENTE EN ALMERIA
Feria de antigüedades, coleccionismo y almoneda 2011 Almería en el Palacio de Exposiciones y Congresos Roquetas de Mar
05/15/11 6:20 pm
La feria de antigüedades, coleccionismo y almoneda 2011 Almería, celebrará este año su segunda edición en las instalaciones del Palacio de Congresos y Exposiciones de Almería en la ciudad de Roquetas de Mar, entre los próximos días 03 al 05 de junio de 2011, mostrándonos las últimas novedades y tendencias del sector en todas sus vertientes.
En la feria de antigüedades, coleccionismo y almoneda 2011 Almería, nos podremos encontrar con la presencia de los mejores profesionales del sector.
Ellos en concierto en el Teatro Apolo de Almería
05/15/11 6:21 pm
El grupo madrileño Ellos, formado por Guille Mostaza y Santi Capote estará el próximo 20 de mayo en concierto en el Teatro Apolo de Almería a partir de las 21 horas. Las entradas ya están a la venta por 10€ en servicaixa.com
Ellos tienen nuevo disco Cardiopatía Severa. Lo grabaron con la banda tocando a la vez en un estudio en La Alpujarra, Granada. Después se fueron a Bulgaria a grabar los arreglos de cuerda para luego irse a Granada a mezclar el disco.
O Sister! en el Auditorio de El Ejido
05/15/11 6:21 pm
El próximo 25 de noviembre en el Teatro Auditorio de El Ejido estarán en concierto el grupo swing O Sister!. Será a partir de las 21 horas.
O Sister! es un homenaje a la música popular norteamericana de los años 30 y, en general, de las décadas doradas del dixie y del swing. La idea surge como un intento de recuperar aquel espíritu abierto con el que surgió el jazz, cuando aún carecía de esa connotación intelectualizada y hasta elitista que, en muchas ocasiones nos empeñamos en otorgarle hoy. Concierto de Sexy Sadie en el VII Festival Pulpop de Roquetas de Mar
05/15/11 6:21 pm
La mítica banda Sexy Sadie están de vuelta y tienen una extensísima gira preparada por todo el territorio español. Una de las citas veraniegas será la VII Edición del Festival Pulpop de Roquetas de Mar. Será el 9 de julio en la plaza de toros.
El grupo mallorquín de pop-rock Sexy Sadie formado en 1992 y disuelto en 2006 se sube de nuevo a los escenarios. El grupo toma su nombre de la canción homónima de los Beatles.
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